Diesel 11
As you scream into the web of silence...
I could have sworn Brave New World was your least favorite, Diesel..
I could have sworn Brave New World was your least favorite, Diesel..
Woah, TFF is your favourite? I thought this thread was going off track but that is controversial. And I actually like it too!The Final Frontier
Powerslave
Piece of Mind
Brave New World
Dance of Death
The Book of Souls
Somewhere in Time
A Matter of Life and Death
No Prayer for the Dying
The Number of the Beast
Seventh Son of a Seventh Son
Iron Maiden
Killers
Fear of the Dark
The X Factor
Virtual XI
The Final Frontier
Powerslave
Piece of Mind
Brave New World
Dance of Death
The Book of Souls
Somewhere in Time
A Matter of Life and Death
No Prayer for the Dying
The Number of the Beast
Seventh Son of a Seventh Son
Iron Maiden
Killers
Fear of the Dark
The X Factor
Virtual XI
Indeed.Woah, TFF is your favourite? I thought this thread was going off track but that is controversial. And I actually like it too!
The Final Frontier is something quite special, Actually I thought AMOLAD was very special but then Final Frontier came along and blew it out of the water. There are a few things I don't like about the album. I don't like satallite 15 so I have removed that part of the song. I don't like the layering on Bruce's voice in the Final Frontier, (but I like that song as a whole, although I actually like Jorn's version better). I don't like the intro to The Talisman so I have removed that part of the song. And I think the man who would be king is a very flawed song.Indeed.
Plus, Seventh Son... being that low...
You're talking about the title track, right? I really like the vocal doubling myself. I think it makes a good song even better.TFF's vocal doubling is such a strange thing. It's just some harmonizer, but it's clearly off-key using some interval that doesn't harmonize at all and it just sounds bad. Weird stuff.
"Satellite 15" is a highlight on the album for me. As far as I'm concerned, it's the most different thing on the album, and possibly on all of Maiden's catalog. Excelent (and surprising) intro, terribly underrated.I don't like satallite 15 so I have removed that part of the song.
Those are the two best songs on the album for me, and both are in my Top 10 (as you can see right down here, in my sig).With regards to Seventh Son, I'm not a fan of the Seventh Son song, nor the Only the good die young song.
I agree. Very weird, but it flows right into the main song and I wouldn't want to listen to one without the other."Satellite 15" is a highlight on the album for me. As far as I'm concerned, it's the most different thing on the album, and possibly on all of Maiden's catalog. Excelent (and surprising) intro, terribly underrated.
I agree. Very weird, but it flows right into the main song and I wouldn't want to listen to one without the other.
Your top 10 isn't too bad (in my opinion). Irate half of them very, very highly. Especially the red and black and phantom, and starblind. So we have that in common.Those are the two best songs on the album for me, and both are in my Top 10 (as you can see right down here, in my sig).
I think the intro that Jorn did on his version is much better. It's shorter. The IM version is much to long for what it is. I wouldn't have cut off Jorn's intro. But the IM intro, well if it were on the song and I couldn't cut it off, I probably wouldn't listen to the song.I really like the transistion between the S15 part and the main song though!
Alexander the Great is overrated because it has never been played, it is a great tune but far from the masterpiece many fans say it is. But the fact it has never been played is the reason we always discuss about the song.
Actually, the middle section of "The Man Who Would Be King" is a bit reminiscent of that atmosphere.Plus the mid section is unlike anything they did before, or have done since.