I think it's from the Instagram account of the Italian fan club, not the official Maiden one.
Yeah i Know!I think it's from the Instagram account of the Italian fan club, not the official Maiden one.
My guess is that we'll know something by mid september.I think the 2025 dates will be announced in the usual period of the year... Mid to late October with the tour starting in late May in Europe, probably in the Balkan region.
The picture is taken from the latest fanclub magazine.I think it's from the Instagram account of the Italian fan club, not the official Maiden one.
Yeah, there were at least a handful of instances in 2014 where they nailed it quite well. And it was played during the encore which increases the difficulty level. IMO it sounded even better than the majority of the first LOTB tour (with the exception of the first months in Europe). I won't even mention the 2022 LOTB takes on Aces High... I'm surely aware of the age factor but then again so should the band members themselves should be.This is a very good performance I think
Maybe a festival date or two. Most of the dates will be announced in October.My guess is that we'll know something by mid september.
Powerslave Box is your guessing or you know something?!Maybe a festival date or two. Most of the dates will be announced in October.
Powerslave 40th anniversary boxet will probably be released in September.
Also, I think it's very likely Rime gets played next year, no matter what kind of tour it is.
To be fair this vocal performance is much but much better than Blaze's back in the day. And although this is more than a consensus among fans, it all has to do with vocal ranges. This guy sings the whole thing in falsetto and is on key for the vast majority of the song. Whether one likes his voice or not is not the issue here. Blaze, on the other hand, sure wasn't able to sing falsetto and could hardly scratch the soprano voice Bruce used on the track's original. And the result was evident: almost every note was a miss. No knock against Blaze: I think his voice really works on other Maiden songs but when the deal is high pitch just forget it.No, you misunderstand me. I said, 'This version is almost as bad as the Bayley performance from the South American leg in 1996,' meaning that this is the poorest performance of 'The Trooper' by Iron Maiden since 1996. It wasn't because of Nicko back then; it was because of Blaze!
Yeah, I'd liked it too but let's be real. Yet I fear this would be a flop among a large portion of Maiden fans who hate the album's guts. Personally, I would love a tour featuring tracks like Man On The Edge, Sign Of The Cross, Fortunes Of War, Lord Of The Flies and The Edge Of Darkness. They would make 100% sense in a 90's based setlist (alongside tracks such as Tailgunner, BYDTTS, BQOBD, ATSS, FOTD, The Clansman or Futureal, i.e.) that would be complemented with a handful of 80's classics on a thematic tour that was never explored. But then again, the fulcral point here is the 90's are an era many fans like to forget, left alone celebrate.I hope so.
They could play The Edge of Darkness, The Aftermath and 2 AM.
It's my guess considering the hints lately.Powerslave Box is your guessing or you know something?!
Not sure if it helps decipher any hints, but I believe this Sphinx is part of the Cleopatra's Needle monument at Embankment in London.
I think a huge chunk of the audience probably isn't that familiar with the Blaze material or has listened to them only a few times. The common criticisms for TXF and VXI are the production, the repetition and the performances. The first of those is irrelevant to the way Maiden sounds live, the third is solved by having Bruce and Adrian back. The repetition on the other hand is something that can work well live and something Steve has embrace more and more as the years went by. I genuinely think that a couple of lesser known Blaze tracks could work very well in an upcoming tour.Yeah, I'd liked it too but let's be real. Yet I fear this would be a flop among a large portion of Maiden fans who hate the album's guts. Personally, I would love a tour featuring tracks like Man On The Edge, Sign Of The Cross, Fortunes Of War, Lord Of The Flies and The Edge Of Darkness. They would make 100% sense in a 90's based setlist (alongside tracks such as Tailgunner, BYDTTS, BQOBD, ATSS, FOTD, The Clansman or Futureal, i.e.) that would be complemented with a handful of 80's classics on a thematic tour that was never explored. But then again, the fulcral point here is the 90's are an era many fans like to forget, left alone celebrate.
The Brave New World Slavery Tour?POWERSLAVE + BNW tour incoming?
Honestly it would be very weird if they used the 50th anniversary to focus on a specific album or combination of albums, especially following hot on the heels of a tour completely focused on new material and deep cuts. It's the most obvious opportunity to do a straightforward Greatest Hits package and possibly to push for stadium dates in territories where they would usually play arenas. For all we know, and I hope it isn't, it could even wind up being their final huge scale tour and the last opportunity to do so.