I get a great vibe from these sections starting with:
The black jack king and the red queen clash....
The good luck charm is overkill....
Meanwhile we play the waiting game....
You hedge your bets the battle lost....
Among my favourite on the whole album!
Unfortunately the chorus, mentioning the title, is much worse.
Thuuu reeeeeeeeeeed aaaand thuuu blaaaack, na naaaaaaaa naaaa na naa na naaa.
Tedious melody, and the basis for a large chunk in the instrumental part. It's as Rush's Natural Science, starting good and going downhill around halfway. :/
.... Finally, the main reason why I don't think this song is great (still solid, but not top drawer: There are hardly any changes in tempo or feel. Let's have a look at the other really long songs Maiden have done:
In my opinion, this is a good 8-minute song stretched out to more than 13 minutes. Still good, and it will probably work really well live, but not enough variation to be a truly great "sit down and listen" experience.
- Empire of the Clouds: Different atmospheres, different tempos, even different time signatures.
- Rime - plenty of changes in atmosphere. Calm mid section followed by a gradual (and bloody fantastic) build-up. Also, the part leading up to the mid section, from "There, calls the Mariner ..." represents a change from the main motif we hear for the first minutes of the song.
- Sign of the Cross also has great contrasts in tempo and feel. The tension builds from 5:00 onwards, and again we have a slightly altered time signature, then the suspense is realeased through the up-tempo riff starting at 7:58 and two blistering solos from Dave and Janick.
- WTWWB - again a song with proper mood changes. From the calm of the couple's living room, with only the usual doomsday TV news, through the mid part where we realize that these guys actually are serious about their paranoia, to the tragedy when they think the apocalypse is happening and take the poison.
- The Book of Souls: The first part has a pretty standard build-up, with verse, verse, pre-chorus, chorus, repeat. The second half - instrumental breaks and solos with a couple of sung partsn in between. I feel this song has more variation than TRATB.
- The Angel and the Gambler: The thematic predecessor of TRATB, this one is infamous for its chorus repetition - and rightfully so, if you ask me. But even this much maligned song has changes in feel and tempo.
- Seventh Son of a Seventh Son: Almost three songs in one. An anthemic first half with an operatic Bruce on full blast, an atmospheric breakdown, and then a pace-filled instrumental finish.
Eddie Wingman largely states objective facts. I guess it's up to the listerener if they minds these facts or not. That's where taste comes in.
I was planning to write a more detailed post on what my problems are with this song (not sure when), but EW already mentioned a lot.
Perhaps just this:
People who love this song say there are so many melodies. Well, here's my answer: I also like melodies, but when they are done over lengthy frameworks (chord schemes) taking one and a half minute before it changes, it's getting too long. A different melody, solo or lyric on top sounds a bit different on the surface, but I just feel that in reality, it does not. The melodies are also simple, and a bit lengthy. It does not sound exciting.
We have this one and a half minute (more even) 6.29 - 7.14 which reminds me a lot of When the Wild Wind Blows. It has the same chord progression.
Then there is the stuff before it:
4.58 - 6.29
And after it:
7.49 - 9.09
Even though the first contains some "The Red and the Blaaaaack" lyrics, and other parts have melodies or solos, it's still all over the same chord scheme.
This is, I believe, what makes the song tedious, monotone and repetitive. In total we have around four and a half minutes of samish music, which eventually becomes one big drag.
So, I find it good until 4.58. And I like some parts from 9.09 til the end. But the 4.58 - 9.09 part: the least diverse section in the history of Iron Maiden, kills it. The problem is that it even has impact on what comes after it. There's good stuff coming after 9.09, but the interest has gone down, the patience has ended. And I even get another thought of "Another part? When does it ever end?"
Age Of Innocence is the worst reunion song !
BNW: always will rate high for me if not partially because of the reunion and the bliss that came along with it. Production is immaculate.
DOD: best overall songs of the reunion. DOD, PFD, Rainmaker alone make it great. Love the other songs as well. Only negative is the repetition in the NML chorus. But my favorite album BY FAR of the reunion. Production is fine and draws way to much criticism here. IMO.
AMOLAD: excellent dark and consistent. Concert/set list was a thing of legend. 2nd best release of the new era Maiden.
FF: very underrated album that has grown on me in last couple years. Only songs I don't love are wild wind and Satelite. Unnecessary long and hate that it's attached to FF.
BOS: just ok by Maiden standards. 2 of my Least favorite Maiden songs ever Red/black and eternity. High praise for The rest especially Bruces epic master stroke , SOL and shadows of the valley. Expecting a major uptick with next album!