Definitely not coherent, you can apply themes to reunion era Maiden albums if you have a mind to, but you have to shoehorn them in to some degree. I prefer to think of it as being vaguely in the same vein, and maybe over emphasized here and there, rather than well thought out and deliberately themed. Some things just fall into place especially well (like 'came to die in France' being the last line of the album on TBOS). Again, not sure it was set up intentionally, but it just fit, where it went.I actually didn’t get a whole lot of teasing from TBOS, though I can definitely see some of those themes of mortality/empires falling/etc. I wonder how much of it is intentional vs Steve and Bruce naturally exploring topics related to getting older. I am also curious how much of that theming is done after the fact, considering Maiden has never been very coherent or intentional with that kind of thing. I am sure since 2010 or so the business side of the Maiden camp wants to make sure that every album they release going forward could be an appropriate swan song if necessary.
I actually thought WTWWB was a more appropriate final song for Maiden than Empire. Better to end on a “classic” Harris epic than a 20 minute odyssey that is almost entirely the brainchild of Bruce imo (not to mention sounding fairly outside of Maiden’s typical wheelhouse).
The title track of TBOS is really the one I would venture to hang a theme on, but IESF nails the mood as well. That plain, bleak, black album cover too. It's not as obvious as calling an album The Final somethingorother, but definitely lends itself nicely to the inevitable speculation over whether it would be Maiden's last album.
Whether that's due to calling it a day, or age getting the better of one of one or more of the band's leading lights. One way or another, the writing is on the wall for Maiden.