SixesAlltheway
Ancient Mariner
First time the title track also opens the album unless you count (Caught) Somewhere In Time...
Lol, yeah, when I saw this song title I immediately thought of the board gameStratego was a board game I remember from childhood. It was a war game. So Stratego may be a song about war.
These could´ve been song titles for SIT too:First time the title track also opens the album unless you count (Caught) Somewhere In Time...
Endless possibilities no matter what...The Metal Up Your Ass tour, with Samurai Eddie thrusting his sword up out of the toilet. Metallica sues, and all PR is good PR, so everyone wins.
First time the title track also opens the album unless you count (Caught) Somewhere In Time...
Huh, it's one of my favourites because of its ease of listening. Probably the only song with nice vocals throughout on TBOS.I'm not worried about Dave not having any credits here. The Man Of Sorrows is my least favorite on BoS.
This was part of my first reaction, although, it's not really to me to say what is and isn't co-opting culture. Let's see if the Japanese get pissed off, or if they think it's awesome, or if they don't care.I am...not in love with the name or the aesthetic. 6 old British dudes releasing an album co-opting Japanese culture this heavily feels rather odd. I really feel like there was a better album title available (even if it's just one of the other song titles). Writing On The Wall would've been better. I don't know. Something feels weird about it. I'm willing to dive in because it's Maiden and I'm pumped, but I think a giant stage set of Japanese architecture is gonna be strange.
I’m often not a fan of the word “co-opting.” We’re all humans and we’re allowed interest and homage to different cultures. Plus, Japan loves Maiden. Reaching into other country’s cultures is also not new for them:I'm excited. New Maiden music is a thing to celebrate.
- Glad to see two Janick songs!
- Wish there were more Bruce and/or Adrian compositions.
- I'm happy without a Dave song. He's the weakest contributor in the band (not including Nicko).
- I am...not in love with the name or the aesthetic. 6 old British dudes releasing an album co-opting Japanese culture this heavily feels rather odd. I really feel like there was a better album title available (even if it's just one of the other song titles). Writing On The Wall would've been better. I don't know. Something feels weird about it. I'm willing to dive in because it's Maiden and I'm pumped, but I think a giant stage set of Japanese architecture is gonna be strange.
World Slavery Tour is the coolest tour name ever. I hope they come up with something of that caliber. (but I don't care too much about the tour names anyway)It would be nice the tour to be named after the meaning of the word rather than the word itself, i.e. Strategic Tour or something similar.
Sure, agreed. I'm not offended by it, but it just feels bizarre and very un-Maiden (which seems to be the point based on Bruce's quote).This was part of my first reaction, although, it's not really to me to say what is and isn't co-opting culture. Let's see if the Japanese get pissed off, or if they think it's awesome, or if they don't care.
All very true. I guess Powerslave is the most apt comparison in terms of going "all in" on the concept.I’m often not a fan of the word “co-opting.” We’re all humans and we’re allowed interest and homage to different cultures. Plus, Japan loves Maiden. Reaching into other country’s cultures is also not new for them:
Nomad
Powerslave (album art and song)
Book of Souls