Iron Lurker
Ancient Mariner
Speak for yourselfWe miss you derek riggs
Speak for yourselfWe miss you derek riggs
No?We miss you derek riggs
Nicko (the oldest) looks best! Is this an official image?I think most of them look superimposed. Quite weird.
The new Senjutsu Eddie is spectacular and his four extra canines have grown on me (not literally). They look great.
This is more bearable than the video Eddie, indeed.I like Samurai Eddie quite a lot more than I expected to, based on the CGI version from TWOTW. I wish his face was a little less brutal, but the grimace here is far more natural than it was on the CGI guy. The detail work in the gusoku is really stellar by Wilkinson, as is the crest on the kabuto.
Or The Fugitive!<< There’s some very complex songs on this album which took a lot of hard work to get them exactly as we wanted them to sound>>
This make me think of tracks like Avalon or Starblind from TFF
Hmm, I believe I can have it both ways. I regularly sit down to listen to albums that are an hour plus and actively enjoy them. One of many examples being my bi weekly listening of Alive of Athens, and yeah I'm damn near hooked for the full thing. The last five Iron Maiden albums have been over an hour long and only two I can stomach to listen to in one sitting. There's just too much fat and not enough trimming, in my opinion. And from how Book of Souls was for me, I don't feel good about the 83 runtime.You can't have it both ways, mate. You either want a short record or a full album experience... When I listen to music, that's my focus. I don't have it in in the background.
I remember when DoD came out, I got the audio DVD and listened to it in surround sound. I plonked a chair slap bang in the middle of the room, cranked it up, stuck a blindfold on and allowed myself to be absorbed.
Have you seen the CGI crap he's been up to for the past 10-15 years?We miss you derek riggs
I beg to differ. Those teeth look so silly. Just remember The Final Frontier cover, goofy teeth as well.
They turn me off.
That level of complexity is impossible to emulate.Or The Fugitive!
The story is:It’s also interesting that they’ve decided to match what they were doing on TBOS in so many ways. Same studio, same recording approach, even the same cover artist. I am surprised they went for the simple Eddie on black cover scheme again. That was such a unique move on TBOS. I hope there’s a nice gatefold piece like TBOS had.
With all that said, the writing credits are pretty surprising. Very little Dickinson input, which I was not expecting at all. Even Smith and Gers seem a little less present. And of course no Murray. I wonder what the story is. Steve must have come in with a lot of material from the beginning.
What a bullshit. Dave had no songs on Beast, Powerslave. He had more than one on various other records, and now he slowly gets closer to his average output.I suppose it was about time Dave stopped writing songs. I am bit surprised Bruce "only" has three credits though.
I think you’re probably right. I bet Steve got the writing bug big time at the end of The Book of Souls, after taking more of a back seat. I hope he was inspired by some of Dickinson’s offerings. The biggest surprise to me is very little Gers involvement. It’s not like there wasn’t room on the CD, considering a double album. My hunch is that Steve knows this is the last album (also explains why they took the unprecedented step of recording it in between legs of a tour) and he wants it to have as much of a Harris stamp as possible. Well deserved IMO.The story is:
"Ok Bruce, H, Jan, Dave. You've had your fun on the previous five albums. This time I have some serious stuff on my mind."
(kicks rest of Smith music to Smith/Kotzen record; Bruce spent more time on other hobbies in the last years, so there probably wasn't much to cast aside)