I really liked Heroes. (Only sabaton album I really listened to at length) I thought it was pretty diverse, and an awesome heavy sound. But I also don't really know their other releases, so I have no perspective for comparison.It sounds fine but not particularly exciting. Every Sabaton album after Coat of Arms has been weaker than the previous one.
Heroes is like Sabaton’s black album: it perfects their sound but also sets up the template for all of the future releases.I really liked Heroes. (Only sabaton album I really listened to at length) I thought it was pretty diverse, and an awesome heavy sound. But I also don't really know their other releases, so I have no perspective for comparison.
And even then “Bismarck” is something we’ve already heard on the first five albums done better. It’s just one of the best modern Sabaton songs because it feels like there’s some effort put into it. I want Sabaton to push themselves, maybe in a “Rise of Evil” vein — I’d love to see them write an epic again.Why can’t they just write more songs like Bismarck?
There’s a guitar part that comes in during the second verse here that’s identical to another song.
You know what? I actually like this song quite a bit. The industrial base, the slow entering of guitars, the icy feel they’ve got going on — and the chorus is actually understated in a way that makes it hit powerfully. The key change at the end is a little unnecessary but still works. I even got chills at one point, a good sign. It’s gonna be up there among post-Carolus Sabaton songs I think.Another meh for me.
It’s fine. I don’t know. Why can’t they just write more songs like Bismarck? Shit, we should petition a full naval war album since those are some of their best.
There’s a guitar part that comes in during the second verse here that’s identical to another song. Unbreakable maybe?
Dragonforce is far more interesting than Sabaton musically, though....so, what you're saying is that Sabaton is Swedish Dragonforce with even more cheese factor and less incessant tempos?
I liked Heroes a lot but I think Sabaton reached their peak with The Art of War. Since The Last Stand, it’s all been a rehash.I really liked Heroes. (Only sabaton album I really listened to at length) I thought it was pretty diverse, and an awesome heavy sound. But I also don't really know their other releases, so I have no perspective for comparison.
“Christmas Truce” has that yo ho ho everyone hug and sing together chorus though. “Soldier of Heaven” to me was a rewrite of the classic Sabaton formula from the glory days and a successful one at that. One of the best songs post Carolus.Christmas Truce has a vibe more similar to these, while the other two are Sabaton-by-the-numbers.