What is wrong with FOTD ? I could write an essay about what is wrong with this particular album, for me by far the worst Maiden album . It shares the same philosophy with NPFTD but, at least , NPFTD is a "so bad, it's good" album and entertains while FOTD is just boring crap .
First of all I hate Dickinson's voice in these 2 albums . Honestly i couldn't stand him and i was glad when he left . Of course i didn't expect an even worse singer , than Dickinson era 1990-1993 , to replace him but that's another story . The lyrics are also horrible , borderline offensive in some songs . I think the lyrics of ATSS are a disgrace for Iron Maiden , a low point , trying to cater to the U.S Metallica-obsessed crowd . The "social commentary" lyrics of some of the songs are really bad and distasteful . Iron Maiden were far above an average metal band, in terms of sophistication of lyrics, in all the previous Dickinson era albums (and yes i actually find "Quest for fire" to be good ) . From the majesty of ROTAM and powerslave to the psychological horror of "Still Life" ,they were simply great . Songs like BQOBD, CE , WW , FITK e.t.c are so simplistic, so childish in their social commentary that they become jokes . Compare the aggression of "Charlot the Harlot" and the sophistication of "22 acacia avenue" to the shittiness of "From here to Eternity" .
Musically the album is also awful . Smith's rythm guitar is missing and it's the first time that Harris' bass sounds awful . Harris' wouldn't return to great bass lines until the AMOLAD album . The songs are weak and boring and so un-Maiden . The only 2 songs that are acceptable , for me, are the title track (obviously, Harris had an epiphany when he wrote that one ) and JBMG . They continue , what they had started in NPFTD , writing stupid rock songs (FHTE, WW ) , they add boring ones (the apparition, COM) , a horrible ballad (WL) ....and you have the worst Maiden album ever . At least in NPFTD , the ballad (the title track) was actually a fantastic song, though butchered by Dickinson's vocals .
Everything they did after "7nth son" was bad, one mistake after the other . They , inexplicably, abbandoned the big studios in favour of Harris' shitty studio , they changed their musical style completely and it is the only time that they compromised their sound trying to cater to the American crowd , that had rejected SSOASS . FOTD esp. was a bad attempt at emulating the black album .
Say what you will about the Blaze-era albums , but at least they had the balls to not follow the crappy brometal Pantera albums (that plauged bands like Judas Priest and Slayer) or the "rock" sounds of Metallica's load and reload . Had Harris the state of mind to actualy try (when it comes to production values) "the X-factor" would have been a masterpiece .
Anyway i write this as a fan whose first "new" Maiden album was POM . I can understand why some people might actually like the last pre-reunion , Dickinson-era albums , but for me something died in Iron Maiden with these 2 albums (and esp. with FOTD) . This is one of the reasons that i consider every post-reunion album a gift that i cherish , cause they, at the very least, are true Iron Maiden albums .
Heh i wrote the essay anyway but i could write much, much more about FOTD .....