To me, it all belongs together. I listen to the lyrics the way I listen to the rest of the song. Maiden's lyrics are very often very good, so if they don't live up to the standards set by the band themselves, I treat them as much an annoyance as a bad guitar solo or a poor vocal line. Which is why I am more tolerant of poor lyrics on the early albums, because they display an earlier phase in the band's evolution, and why I'm less tolerant of poor lyrics on an album such as No Prayer, because it comes right after the poetic high points of Seventh Son.
To be brutally honest, it is. I really enjoy discussing lyrics, but that enjoyment is hampered if in every thread and every discussion that comes up, there is going to be a post saying "to me, music is more important." The vehemence with which these posts appear every single time makes me feel that discussion of lyrics actually offends you, so I just stopped it.
To me, music comes first too. I love the music of Iron Maiden. I wouldn't listen to them if I didn't. But I'm not a musician. I can't talk competently about chord progression or drum patterns. All I can say is, "that's a great riff!" or "blinding harmonies" or "stunning solos". I don't think that would be interesting to read. So I thought it would be more interesting to discuss lyrics, something I think I'm good at, and can actually contribute something of value. I used to think it's a given that with music and a band, the music is the most important thing. So I would discuss lyrics under that premise.
I agree wholeheartedly with this logic. I am a musician and a songwriter. As such, I hold all of the elements within a song to an equal standard. There is a tendency among many fans to belittle the importance of lyrics in music, especially with metal and rock bands. As someone who loves listening to music, playing music, writing music, and performing music, I find this mindset to be insulting. Lyrics are often the most difficult part of a song to write. It can take infinitely longer to find the right words for a chorus, whereas a good riff can come about in a matter of seconds.
Appreciation is often lacking when it comes to lyrical prowess, and it's downright sad. If lyrical content was inferior to instrumental music, then every song would simply have nonsense syllables sung in a catchy melody. Better yet, a lead guitar or piano could simply play the vocal melody and we could eliminate the singer altogether, thus turning every band into a well-rehearsed, well-written instrumental act with no commercial viability.
I think it is safe to say that a majority of people who seek out the message boards of their favorite bands are musicians. We want to discuss the music, we want to explore the intricacies of every song, every guitar solo, every drum fill. But we're forgetting the people out there who connect with the lyrics, the average fans of the world who hear a melody and lyrics and suddenly their world is turned upside down. They have found something to connect to, to relate to, and that often comes from the lyrics. I love the discussion of lyrics, and I find it refreshing considering how many topics float around about the seventeen note in Adrian Smith's guitar solo that starts at 2:37 and ends at 2:54, where he uses a subtle whammy bar inflection following the catchy bluesy hook he plays in second position.
I try to look at music (or movies or any art) as an artifact of the point in time when it was created and judge it based on the time it was created and the maturity of the artist. A song like Running Free or Sanctuary would be received poorly if they were on TFF, but given the time, the age and makeup of the band at the time, they fit well and I have no problem with them.
I do have a problem with some of the No Prayer/FotD lyrics because they should have been better at that time.
Absolutely. I think you have to put a timestamp on some things to justify their existence, just as much as you have to date yourself to the age you were when you heard that song for the first time. If I was eighteen and I heard "Sanctuary", I would think it was awesome. It not only fits the age of the composers, it fits the attitude and image of that era. So, to hear the same style of lyrics written over ten years later, by a band that has written Somewhere in Time and SSoaSS, it feels childish. I think what rubs me the wrong way about the lyrics on those two albums is that they feel like pandering, like a deliberate attempt to write "street" lyrics that will be ballsy, silly, and shocking. But, the thing is, that no longer fits the state of the band. You can't tour the world five times, deliver a million dollar stage show with gigantic robotics, pyrotechnics, and costumed swordplay, and then start writing about "greasy machines" and "well hung feelings", it no longer feels authentic.