10/10
We open with ominous keyboards introducing an ancient, vaguely Eastern-tinged melody under Bruce Dickinson’s rich voice as he displays the soul of a man. The moodiness is a perfect prologue to the next hour and a half of music. It calls to mind the bookends of Maiden’s magnum opus, Seventh Son of a Seventh Son. The full band kicks in and If Eternity Should Fail chugs and gallops it’s way through catchy verses, a wailing chorus, and an amazing jam section. As Maiden openers go, Eternity is not the fastest, but it is as powerful as anything they’ve ever written. Adrian Smith and Janick Gers recorded the song in dropped D tuning for an extra bit of heaviness and it works wonders. The harmonies are rich, the rhythm section pounds away during the bridge, and Adrian plays some tasty leads underneath the final batch of choruses. Interestingly enough, there is no true guitar solo. The outro, a spoken word piece about some character named Necropolis, is certainly creepy but feels out of place. Apparently this track was supposed to be the beginning of Bruce’s next solo album, a concept piece, and this would have no doubt set up the remaining songs. Steve Harris heard the outro and decided to keep it, which was definitely a mistake, but it’s a small matter when the preceding song is so damn good. A unique, incredible opening track all around.