Next let's get a bit less heavier and go into some
Hard Rock:
Blue Cheer - Vincebus Eruptum (1968): What better way to begin with the pounding bluesy Hard Rock jewel that is Blue Cheer's debut? Man is this thing uplifting yet heavy as bricks! Ironically the song that better shows what these guys are all about is Eddie Cochran's version of Summertime Blues . The band totally made the song their own, filling it with a wall of fuzzy distortion and semi tribal percussion upon which Dickie Peterson's (RIP) amazing voice resounded. And if any doubt is left of how intense Blue Cheer's debut was just check tunes like Parchment Farm, Doctor Please or Second Time Around. Another classic for the ages.
Jimi Hendrix - Electric Ladyland (1968): What can I say about the third and (sadly) last album of this legend that already hasn't been said? First it is my undisputed favorite from Mr. Hendrix's catalogue. Then it has its fair share of psychedelia and funky vibes, but it's when the guitar master turns on his pedal on harsh classics like Crosstown Traffic, Voodoo Child (Slight Return), All Along The Watchtower, Still Raining Still Dreaming and especially the perfection that is 1983 (A Merman I Should Turn To Be) that this whole thing gives me goosebumps. RIP, guitar wizard. Your legacy is huge.
MC5 - Kick Out The Jams (1969): Now who knows this band and especially this live record knows how their energy's off the charts even for today's standards. Opening with a hilarious cover of Ramblin' Rose (much thanks to Rob Tyner' voice - RIP) Wayne Kramer and company then embark in one of the most visceral displays of Hard Rock/ Heavy Blues in music history. Stuff Like Kick Out The Jams, Rocket reducer Nº 62, Come Together, Starship and Borderline are way ahead of their time when it comes to how much harder they rocked than anything else done till then.
Led Zeppelin - II (1969): As far as I'm concerned Zepp is mandatory in any Hard Rock list and their sophomore is IMO the best among many amazing records (with the self tittled album and Houses Of The Holy close behind). And once again what else can I say about this masterpiece. The insanely intense opener that is Whole Lotta Love shows immediately how sharp are Page, Plant, Paul Jones and Bonham (RIP) and what they came for. Yes there are some calm tracks like the folky and extremely beautiful Ramble On but IMO alongside it's on muscular rock builds like the opener, Heartbreaker, Living Loving Maid or even the sludgy The Lemon Song that this record really shines. Not to mention every drummer's wet dream on Moby Dick. this album is a masterpiece and 100% deserves all the hype and universal praise it gets.
Deep Purple - In Rock (1970): IMO an Hard Rock best of without Deep Purple is pure nonsense. And while loving Machine Head I think In Rock was the album that set the tone fort what the band would be known for. Speed King comes ripping heads from the get go (what a blast of a song!) followed by the sleazy groove of Bloodsucker. Next comes the classic masterpiece that is Child In Time with Lord's (RIP) keyboard setting the ambiance while Gillan proves why he is probably the best voice ever in the genre. Also great notes for another addictive groove in closer Living Wreck. The only downside was leaving Black Night out but, besides future editions fixing that mistake, that alone can never tarnish how legendary this album is.
Judas Priest - Rocka Rolla (1974): First of screw the original lame cover! I'll go with the re-issue one that is a top notch illustration for a Hard Rock album. Then let me tell you the real reason why this record isn't more revered and sometimes even regarded as an ugly duckling. It's true Rob, KK, Glen and Ian were still looking for their own sound while being too much influenced by Deep Purple and constricted by what the record company felt should be their go to sound, but I think the major reason Rocka Rolla is disregarded is because the band went and released a spree of 5 of arguably the most iconic metal albums ever (btw RIP John Hinch). Nonetheless songs like Never Satisfied, One For The Ride, the trilogy of Winter/ Deep Freeze/ Winter Retreat and of course the title track are unjustifiably underrated Hard Rock treasures brought by the genius when it comes to the genre. .
Roky Erickson and The Aliens - The Evil One (1981): This record by Mister Erickson (RIP) is really a blaster. Heavily based on horror imaginary sure there is lot of classic rock on this bad boy and I must admit the majority is even a bit half baked. But it's when Roky goes heavier like on tracks such as Sputnik, Bloody Hammer, White Faces, The Wind And More, Night Of The Vampire or the superb Two Headed Dog that this damn thing makes your blood boil. And when it comes to these tracks this record is as insane and unique as it is exciting.
Joe Satriani - Surfing With The Alien (1987): I've never had much patience for guitar virtuoso instrumental albums but somehow this dude Satch is simply special. One reason why is surely the multitude of landscapes he offers. Either by beautiful and sometimes even introspective songs like Always With Me Always With You, Echo and Circles, by groove filled takes like Satch Boogie and Ice 9 or simply by straight ahead rockers like the tile track or the amazing Crushing Day, Joe Satriani always keeps us nailed to every single note. And that's because unlike many of his virtuoso pairs he doesn't writes music just in order for him to display his skills. Each track is really song directed. It just happens that Satch is such a genius he always finds a way to make his display of guitar playing magic lie perfectly upon each one of his compositions. A fan since I first listened to it when it came out and still am for this is surely a cornerstone when it comes to the genre.
The Cult - Electric (1987): Now The Cult is one of my favorite bands ever (if not the favorite) and Love is my favorite album. And while Electric is almost a U turn on their DNA I don't mind it a bit since it widened the band's horizons, turning them into one of the most chameleonic acts in rock. Plus the album is simply superb and by all means a classic. It happens that the band wasn't satisfied with the first sketches of the soon to be third album (under the title work Peace) that were much in line with sonority of the previous records (these recordings were later released and I pretty much love them but hey... if it had to go down for Electric to exist so be it). So they hired Rick Rubin and went into a mix of their Doors legacy with 70's AC/DC. The result is what we know today: a solid ball of raw hard rock with hymns such as Wild Flower, Peace Dog. Lil' Devil, Electric Ocean, Love Removal Machine and Outlaw. With classic written all over it this is one of Rock's mandatory records.
Queensryche - Empire (1990): Once known more for their brand of Heavy Metal and later Prog Metal, Queensryche took a lighter approach on their sixth album. But don't let that fool you: besides having a fairly heavy tune (and a superb one) on the tittle track this new approach by DeGarmo and the band manages to reach excellence in pure hard rock songs like Best I Can, The Thin Line, Della Brown and the awesome ballad that is Silent Lucidity (Tate's voice here is just bonkers). Jet City Woman is also a well penned track within the genre. And while the rest is kinda meh, my highlights go to the last two songs where the band get a tad bit of their previous album's prog flavor in One And Only and Anybody Listening?: two utter masterpieces. Empire is an album truly based in hard rock but it is so well done that it was unanimously acclaimed in an era where the other Seattle young bloods were on the rise and 80's hard rock was considered worst than the plague. That alone speaks volumes on how amazing this record is.