Because the image of the band would be on stranger hands and they will do whatever they want with itCan someone explain in layman’s terms what does this mean for the future of the band and why is it perceived with such negativity?
Not even when they are no longer present... still remember the ABERRATION it was with Dio. It's AWFUL to say the least.I certainly don't want to see a Maiden hologram show. Not until they are all cold in the ground and by that stage I'd probably pay top dollar to have a taste of The Good Old Days![]()
So, Iron Maiden is now half-owned by quarter of ABBA and his associates.
Bin Tony and get Bjorn behind the mixing desk, I say.
I can't in a month on Sundays believe that Pophouse will pick songs for an Iron Maiden setlist.
In terms of hologram tours. They've always instinctively made my skin crawl. And I made a joke about it earlier but honestly, in say 20yrs, I'd probably go to a Maiden one. Never thought about it in depth until today but there you go. Still, I'd also be happy if it never happened.
I really can't argue with any of that but I'm just having strange, alien thoughts today, things I've never considered. 70yr old me might be happy with any kind of night out at some kind of Maiden event. Probably be happy with watching Rock In Rio on a big tv, in fairness.I would never, EVER, go to something like this.
It's sacrilege and an insult to live music.
This is big but I've no idea what it will mean for the long term.
It's more the concept of the tour. It wouldn't be like "Nah, dump Killers, put in Icarus, it paces the set better." The deal is stated as being 50/50, but Pophouse doesn't generally enter into these deals unless they get a controlling interest.I can't in a month on Sundays believe that Pophouse will pick songs for an Iron Maiden setlist.
It's more the concept of the tour. It wouldn't be like "Nah, dump Killers, put in Icarus, it paces the set better." The deal is stated as being 50/50, but Pophouse doesn't generally enter into these deals unless they get a controlling interest.
If the group convenes at Maiden Towers and comes up with an idea of "We'd like to do a 40th anniversary of Seventh Son tour where we play the whole album and then do a bunch of rarities we hadn't done since the 80s", Pophouse could probably throw some cold water on that and order up a second round of RFYL.
A virtual (no pun intended) version of 1998 backwards baseball cap Blaze trying to get through the Trooper without passing out would be magical.Come on! A virtual Di´Anno screaming Iron Maiden´s gonna get ya, A hologram of Eddie rising from the grave, a loop of a prancing Janick, Sharon pelted with eggs while Bruce sings These Colours Don´t Run,...
Honestly, I think the motivation to make a deal to begin with isn't "I want someone to respectfully nurture and caretake our brand" but "You're writing a check with a lot of zeroes? Mint. Where do I sign?"As a counterpoint, this model of working with *current, existing* bands isn't something Pophouse seems to have done before, nor have they done a 50/50 split before as far as I can tell. They have a vested interest in NOT looking like they're controlling the Maiden band and making them change their creative output unwillingly, because if they do, it pours cold water on future, similar deals.
I still like how one of the selling points for Burning Ambition was "New animations of Eddie!"Maiden have been ramping up their licensing with products a lot in the last few years. This is the natural next step. License their name out to a big company who can slap it on anything they want.
Also, if the Infinite Dreams experience was their handiwork, I don’t have high hopes. It wasn’t the best. Interesting, but nothing special.
Also, am I the only one who doesn’t give a flying fuck about Eddie? Can we please just get back to the music?