To the negative:
- Montsegur. The main riff, regular verses and first chorus are phenomenal. 10/10 up to that part. The happy-go-lucky nursery rhyme-like parts that follow ruin the entire song for me and I always end up skipping it. Didn't bother me as much back in the day, but I suppose I don't have as much patience anymore.
- The Nomad. The verses and first chorus aren't anything particularly interesting. The second chorus with the soaring vocals is much better and then we get one of my favorite sections in Maiden history, with the clean instrumental middle part. Well, turns out it's a glorified cover and not an original composition. Still sounds amazing obviously, but I end up skipping the song most of the time, due to my disappointment.
- Aces High. My most controversial pick. Used to adore the song as a kid. There's a ton to like about the song. The pace, the energy, the soaring chorus. Nowadays it's become one of my least favorites and might be the single most overrated song in my opinion. The studio version might be tolerable, but every single live version is pure horror. The vocals in the verses fundamentally sound bad. Crucify me
To the positive:
- The Loneliness Of The Long Distance Runner. Never really disliked the song, but it also kinda flew under the radar for me. Used to focus mostly on the title track, with some undeserved preference due to being a title track, and Alex, due to being the Harris epic. Yet, as time went on, whenever I was in the mood for SIT I'd return to this song. It's one of my all time favorites and one of the best Maiden songs of the 80s in my opinion.
- Childhood's End. Similar story to TLOTLDR, with the difference that I've always liked this one. I genuinely adore this track and it's an easy 10/10 for me. I appreciate this song more and more with every passing year. Such a shame that it was never played live.
- Dream Of Mirrors. Always been a fan of the acoustic intro Gers/Harris epics. This one I liked as well, but I didn't see it as special as the other Gers/Harris epics that followed. Used to focus much more on the opening quartet of BNW. Yet, thanks to the RIR version my appreciation for this song grew immensely. I love how it keeps building up the energy and excitement over literal minutes. The "whoah" part in the final couple of minutes, especially in the live version, is pure Maiden magic.