EMI still own the rights to A Real Dead One, A Real Live One and Live At Donington '92, thus won't seeing these 3 live albums being re-released on Vinyl. Because of this, the original EMI copies have now become sought after and buffed up in price. The Eddie's Archives box set suffers this as well.
BTW, interesting comment on fb about the absence of the 90s live albums:
Click on my sig and you can see the ones I have (and other versions released)Those are all officially released picture discs? Wasn't aware of them.
Those are all officially released picture discs? Wasn't aware of them.
If they do ever release these on vinyl, I hope they're separate albums.I'd love to see an offical picture disc release of both A Real Live One and A Real Dead One.
Looking at the tracklistings on amazon, is side 3 of FOTD the worst album side of all time? Yikes.
Nonsense. Side 3 has the best song on the album. It's so complex!!!Looking at the tracklistings on amazon, is side 3 of FOTD the worst album side of all time? Yikes.
Yea FOTD does well in that department. ATSS, Wasting Love, and FOTD work well as side closers. Even Apparition is pretty good there. Although just looking at the tracks, I'm thinking some of the sides might run a little short, in which case there won't be that much loss of dynamics.Edit ... add to that the closet you move to the center of the record you lose dynamics ... so the more rocking tracks are better at the edge
That's actually a pretty good point and i've been thinking about it a lot... Maiden do seem to still divide their albums (or think of them) with a side A and B in mind.Yea FOTD does well in that department. ATSS, Wasting Love, and FOTD work well as side closers. Even Apparition is pretty good there. Although just looking at the tracks, I'm thinking some of the sides might run a little short, in which case there won't be that much loss of dynamics.
I get the impression that Maiden still track their albums with the vinyl aesthetic in mind. Obviously TBOS had two discs which gave it a similar effect to a side 1 and 2, but also TFF and AMOLAD feel like there's a 2 act deal going on. The more rocking tracks on the first "side" and the more experimental/proggy stuff on the second "side".
Yea FOTD does well in that department. ATSS, Wasting Love, and FOTD work well as side closers. Even Apparition is pretty good there. Although just looking at the tracks, I'm thinking some of the sides might run a little short, in which case there won't be that much loss of dynamics.
I get the impression that Maiden still track their albums with the vinyl aesthetic in mind. Obviously TBOS had two discs which gave it a similar effect to a side 1 and 2, but also TFF and AMOLAD feel like there's a 2 act deal going on. The more rocking tracks on the first "side" and the more experimental/proggy stuff on the second "side".
A vinyl release of Hammersmith would also be cool. Maybe a future RSD release?
EMI still having the rights to the Eddie's Archive set pretty much destroys that hope.Sign. Me. UP!!
Not sure why. EMI isn't making money on it, it's OOP. Assuming people would buy a vinyl Hammersmith reissue (and I think they would), there should be money to be made by both EMI and Universal if they can cut a deal. Or heck, maybe just EMI reissues it separately to compete with the UMG reissues -- if EMI owns the master tapes, presumably it can do whatever it wants with them, unless the contract with the band limits its options.EMI still having the rights to the Eddie's Archive set pretty much destroys that hope.