Re: Tron's Maiden Countdown!
2 days in one, i was away from home yesterday and despite my best efforts couldnt connect to the internets. and to try answer all the above posts, i think im counting down

and hooks in you is here
#105 - Heaven Can Wait - the worst song on the sbit set for me. again dont like bruces voice as it sounds all furnished with effects without having a brilliant story but still a nice cheery song. the music itself sounds itself covered with some strange manufactured metallic haze like alot of SIT that i dont like. it looks like a very good live track but having not seen it i cant really feel emotional about it. otherwise its a good song with only a couple of downfalls, good energy and very fast with the pace in ways matching fast paced life running from the reaper as is my take on the whole thing.
#104 - Prodigal Son - a lovely melody to start, drums moving across in the back and then the light picking and great bassline. ooh. one song i really like pauls voice, i just cant grasp what exactly hes singing about though but i can tell hes regreting something possibly losing his love and the tone fits perfect with that story. the instrumental midsection goes on far too long because the songs beginning and theme screams short song and giving the repeating pattern it loses attention a bit but hey. a nice peaceful song with contrasting dull depressed themes and beautiful hopeful guitar work.
#103 - Total Eclipse - bring the darkness. a song that i first heard with my purchase of tnotb remaster and what a pleasant surprise. if im right in understanding that this wasnt originally on some releases (europe) then why, it matches the album great in dealing with evil and darkness. this one is almost tribal and not being overtechnical helps it so much and the bass makes it feel very ritual and brilliant in that creative use of the music.
#102 - Sun and Steel - for me a bit of a standard rocker. i remember loving at one point but i think that was because it was the first time id heard that high driving chorus. thats what i find the main draw of this song, its driving music all the way through and contrasting high chorus and lower grittier in the rest of the lyrics. It goes on a bit at the end and the story is basic and not explored a great amount but hey its a great mover and it rides through on that.
#101 - The Alchemist - and oh so soon another entry from our latest frontiers. It felt at first out of place in the album, after the gentle beauty of coming home had ended and i was blown back in shock almost in my own world suddenly came those harsh overenergetic guitars and for me overenergetic is the best term to summarise it. its sounds wrong to me in a similar way to rainmaker as just being so out there and not sounding in those opening moments anything imagineably maiden. for me it goes on the same, the sickly sweet guitar work eliminating the frankly intriguing lyrics that i avoided for quite a while but appreciate more. the lyrics are forced too fast to accomidate the music.
#100 - Strange World - similarly to prodigal son its the debuts song with captivating emotional guitar to introduce us to the song. paul sings it great and i much prefer this side of his voice despite it not being all that metal its bloody nice with that music. this beats its killers counterpart simply because i never get bored and thats due to this midsection having an amazing edgy set of soloing that helps the song to move like a bit of a dream. and this time i dont have a clue what he's talking about though, dreaming?
#99 - Hooks in you - requested above. i dont know what brings this here, i just cant hate this cheeky wee song. i dont know why but in the tone of npftd it completely acceptable to have a laugh with the songs. nothing complex again but pure fun and bruces creepy/cheeky voice suits it great. also the two building instrumentals behind the repeated
hooks in you, ive got them... work well (i had to find a nice bit of technical work)
#98 - The Aftermath - i love the marching pace drum work into this song as with an army, and everything matches nicely. Blaze sounds a bit below par i must say but ive come to appreciate what he manages and it doesnt bother me that much. the first section being like a march into war and doubt building that carries on maybe one verse too long. then into the second half being the trauma of war playing its part on a soldier upon returning, for me this is the better part with flowing guitar coming in rather than the rigid paced sound. then emotion release and brilliant soloing after
im just a soldier before ending as it begun to drive in an antiwar point
#97 - The Educated Fool - im an educated fool, no common sense atall. thats what drew me to it but that didnt seem to apply much to the song. a very dark song but does it have to be is my question, a song of what i can tell is trying to get out on your own. blaze at