fekso
Ancient Mariner
I did just that, but to be fair I did grow up with those albums.I'll vote now, and give 10s to all Blaze songs just out of spite.
I did just that, but to be fair I did grow up with those albums.I'll vote now, and give 10s to all Blaze songs just out of spite.
I think Back In The Village is a very underrated song. It has one of my favorite riffs in a Maiden song and the solos are also very good. I think it's based on The Prisoner just because it's most obvious, too.
Again, a little rocker that is alright. This one isn't too bad, but not too great. I like the guitars a rather lot, but can't stand the vocals.
Intro riff is evil, the pacing is frantic (without tic tic toc) and Bruce's delivery is godlike!!! The guitars are crazy, the duet is the most intricated in their catalogue and once again, insane bass line and Nicko's pounding, but perfectly structured drumming. Another classic which is not classic!
How people like turds like Sanctuary over this is beyond me.
I'm not fond of the chorus at all, and I'm not sure whether it was necessary to do another song about The Prisoner, but I think everything else about this tune rocks. The guitar intro is outrageous, especially the cheeky squealie at 0:11. I also like the sleazy chord riffs at 2:58. This clearly isn't Maiden at full strength, but there's still a lot to enjoy here.
Some people don't like Bruce in the early nineties, but this bleating way of singing I really find way more annoying, especially in the chorus. Definitely the weakest song of the album.
I like this one more than other Fillerslave fillers, mostly due to that frantic riff of H's. Nice rocking track, again an unattractive lyrical theme for myself, but packed with energy.
Some solid riffing with maybe the trickiest riff in the Maiden catalog. It's a fun track and there isn't anything wrong with it, but something about it doesn't reach the highs of other songs on the album. Maybe it's because I'm eager to get to the epics. That said, every time I hear it I think that it's better than I remember and I should really listen to it more.
Unfortunately this is the only blemish on the entire powerslave album. The vocals are annoying and the chorus seem repetitive. If we made an album of IM filler songs, this would be on it.
I don't have the vote totals from before 2014 either, so it would be really hard to run analytics on it.I think Loosey's job is complicated enough without having to look at distributions and percentiles.
Musically it's...ok. But I don't like the lyrics at all. The fact that he can say what he wants and do what he wants and nobody telling him other wise is very.... nice in ideal. But it is thinking like that that starts fights, wars, and violence in general.
I just read the lyrics again, and saw something I hadn't seen before. The lyrics portray life as a dream (for example, "We are sleeping and we'll dream for evermore") and suggest waking up from the dream ("If you turn to the light that is burning in the night, then your journeyman's day has begun"). This reminds me of the Eastern concept of Mindfulness. According to Buddhism and other Eastern traditions, a person has to wake up from the ordinary routine of life and become fully aware and alive within the present moment before they can even begin the journey to enlightenment.
The use of the orchestration is brilliant as well. I don't see why people think the lyrics are bad, I really don't. And of course, on the IMBB, they slag the song off saying that it's 'boring' or 'soft crap'. Meh, most of those people there have an attention span of 2.33 seconds anyway.
Depends which way you take Journey man! I took it that no one can take Bruces freedom away!
Prance
Not very fond of this track. Its just not very good for a 7 minute track that really does...nothing. The chorus is cliched and banal. The track is drowning in uninspired synths that blares out the tedious acoustic guitar. I have to give some points for the lyrics in the verses, the best part about this song, very melancholy and poetically penned.
I've never been much of a fan of the chorus, but the tune itself is well done.
A beautiful piece of music. Great lyrical message delivered in a thoughtful way. Different obviously, and a nice element to have in the catalogue.
I've always wondered, is this a song they wanted to do because of the song, or because they wanted to prove they could. It's alright, I don't love it.
It is a pity that Bruce managed to create two or three amazing acoustic songs during his solo career. It makes it even more difficult to like this extra long and boring arrangement. Good melodies for sure but that is all there is.
When I first heard Montsegur, I didn't like it that much. It reminded me a lot of the Mercenary at first because both songs are pretty heavy for Maiden standards and have repetative choruses. However, Montsegur has grown on me a lot and is now one of my favorite tracks from Dance of Death.
I went to Montségur in early May and the place is pretty impressive! No wonder it gave Bruce the ideas to write such great lyrics.
highly underrated track, the guitar going along with the pre-chorus is unlike anything IM has ever done, and it's a great passionate tune.
It's never been a favorite off this album, but not a bad tune. Bruce's vocal is lacking for me, and as heavy as the song is, it's never grabbed me.
Heavy intro that's heavily borrowed from Fallen Angel. I love the lyrics but the happy bits just don't blend well with the heavier parts. The solo reminds me very much of Jan's solo in Born In '58.
I like the heaviness of this song and the instrumental parts. The melody of the verses is great and the chorus is cool, but shrieky. The post chorus happy riff vocal is annoying, though.
The lyrics are interesting and performed with power and a lot of grit. The chorus is cool but repeated a tad to much. Then comes the post chorus that is to happy, almost silly, and it irritates me as the song should be really strong if they just removed it. The heavy riff comes in again, and the extra layer in 3:05 gives an extra dimension. Great solos and great melodies follows and the song feels epic, really like the melody at 4:05. Then comes the awful post chorus again and destroys the feeling that is so carefully built up.
The biggest fault in this song is the horrible, cheery post-chorus. The guitar riff and vocal line play along with each other nicely, but the melody is completely mismatched with the dark tone of the song.
yes the bass intro on this one is very nice; it creates the perfect atmosphere and sets the right mood according to the subject of the song. the harmonics were a very good idea. it seems as if steve's bass playing has been dumbed down in the mixing of the last 2 albums..you dont hear as much of that rawness and that distinct bass sound that actually made the bass sound separate from all the other instruments.
Thumbs up to Blaze, his singing here makes the rage that is expressed in the lyrics really visible. Very well done!
Hmm, I don't hope I give the impression that I am over-analyzing, let alone analyzing.
Kickass song. Another X-Factor gem that disappeared from the setlist too soon. Love the lyrics and Blaze's performance, and the waltz-thingy. The chorus is heavy as fuck for Maiden!
like pretty much everything on this album, this song was so much better live it's not even funny.
I don't mind if a band uses certain chord progressions/riffs/licks in a new song that resemble those used in previous tracks. It kind of helps reinforce the bands signature sound in a weird way. If it was an issue a claim could be made that Hallowed be thy Name plagiarises from a riff embedded within Gengis Khan. To me Blood on the Worlds Hands sounds like Maiden, sounds inspired, and sounds like a band that was confident to record music post-Bruce. Top track, even better live.
This is one of my least favourite tracks on the album. I'm not really a fan of the bass solo as the start of a song, nor the interaction of Blaze's vocals and the music on the verses, nor the chorus as a whole. Not a bad song, I just find it a bit meh.
Very different song for maiden. The bass solo is really cool and I like the chorus alot.
Cool bass solo followed by a ridiculous dancing melody.Cool solos but the song lacks that special something.
This song was something of a surprise to me. Not that they haven't made ballady songs before (Journeyman and Dream of mirrors come to mind), but this is a very strong power ballad and it brings tears to my eyes sometimes. The lyrics are great
It brings tears to my eyes, like watching the last spark of life go out of someone cherished. It's a beautiful song.
Fantastic ballad with a good chorus and performance by Bruce. IMO it's Coming Home's older brother song, although Coming Home is a better song.
The brilliance of this song has recently been trumped by Coming Home but it still sits comfortably amongst the majestic songs that make up AMOLAD. I love AMOLAD like a close family member, but my one disappointment is the low number of (and seemingly shorter) solos when compared to DoD/SiT/SSoaSS/TFF. However, in Out of the Shadows Davey improvises to his hearts content in the way Adrian will later do in Starblind.
A beautiful song, it's got Dave and Bruce at their very best. You can just close your eyes and sink into the depths of it.
Dave plays a delicious bluesy lead throughout the song though the main solo goes to Adrian, who turns in a very tasteful, melodic piece. Bruce sounds fabulous belting it out within a song perfectly in his vocal sweet spot. The acoustics drive the last two minutes in a different direction and give Steve a chance to let loose with some bass leads.
Such a beautiful song. Bruce takes us through life in five minutes and describes both the sadness and beauty of it. Dave is surprisingly uneven on this album, but he shines on this track. Adrian delivers another perfect solo, what a man.
I would also like to stress how beautiful and how subtle those Davey's solos/"embellishments" are; at times he reminds me of Knopfler there.
Maybe the solo is great just because of its harmony to the song that way. A great solo doesn't need to cover all the other elements of the song. If it has a special touch, we can feel it anyway.
98: The Man of Sorrows - The Book of Souls (Murray, Harris)
Keep in mind I'm skimming the commentary threads, not the entire boards, and you haven't commented on every song, not by a longshot. I have no doubt something you've said will end up in there eventually! I seem to remember looking at a couple things you've said and going...I think that's the same as someone else said, which I usually don't pick unless I'm trying to showcase a point.Apparently I've never made a single comment worthy of being "choice" over the past almost 8 years on these boards