runsilentrundeep
Educated Fool
I collate the stats every September! Hopefully you put your votes in!
Thanks, I will make sure that I vote in time!, I am certainly enjoying this post and appreciate the level of detail/research involved
I collate the stats every September! Hopefully you put your votes in!
No more tears, Amigo, no more tears.Como Estais really doesn't deserve to be this low IMO. Am rather sad now.
specifically the "climb like a monkey" line,
To be fair they are quite sillyanyone criticisng that lyric is an idiot.
Blaze's voice shine on this. His vocals have a certain low-yet-loud quality on this song, and this is one of the few songs on tXF that doesn't start off with him singing softly. The power and emotion in his voice is only matched by the chorus of The Unbeliever, and he's aggressive to boot, without going overboard. The lyrics are well-written, and clearly convey the animalism and primal instincts in us all, waiting for the right stressful conditions to emerge. The solo slows things down nicely, just ready to plunge into that wonderful crowd shout and final refrain.
Somehow, the lyrics and music blend together to create an amazing atmosphere, and there are few Maiden (or any) songs where the lyrics and the music are so well combined to create the general mood of the song. I've said before that I prefer Bruce's version, but now I prefer the original Blaze version.
Very good song, this is one where I prefer Blaze over Bruce on vocals. My only real problem with it is the lyrics, the "I like the way" part bugs me for some reason, it makes the song feel like an 8th grade book report.
Very nice stimulating track. There's a certain atmosphere, giving me the feeling that something unavoidable will happen. I have always liked that slower paced mid-section, with Janick crying his solo over Nicko's groovy patterns (nice contrast). The build-up is simple but effective and Blaze's voice sounds determined.
I wonder how many people thought they were playing gates of tomorow live when janick started playing that riff
like many have said this song is good but not brilliant
One of the best songs from Blaze era. Musically, I like this version the most, but I like Bruce's vocals more.
Anyway, as for "Lord of the Flies" it's one of my absolute favourites. Love the buildup in the intro (especially the experienced key change going to the verse-riff), the verses and chorus, as well as the super-atmospheric solo-section.
One of my all time favorites from the Blaze era. Really cool tune.
I had read a blaze interview in which he said that they consiously tried to writye "simpler" and more accesible lyrics than the x factor's, to make the album more direct and not as dark. some songs really suffer from these "simpler" lirycs on this album, most noticebly this one! the lyrics really sabotage the quality.
Wonderful intro, great kick in your face type of verse, a song that has a great emotional charge and, once again, mind blowing solos and melodies. Blaze sings in powerful and convincing manner, though his lack of stamina to finish the chorus phrase is laughable, specially live. Love this song!
Good intro and a strong beginning, but it all goes to hell for me with the chorus. It has never worked for me from the first time I heard it.
The intro is one of the most beautiful and moving pieces of music they've ever written. And it just goes up from there, culminating with Dave's insane solo. Chorus is repetitive but not annoying, and there are only two of those. The fact that first is followed by amazing instrumetnal section and second by one of their best outros, helps alleviate the boringness of repetitive lines in chorus. So it comes down as not boring at all
But I am surprised so many of you find his voice to be a highlight of this song. I hate it here. It grates, particularly on one of Maiden’s worst choruses. This is where you see signs he was in over his head.
Personally, this is my most favorite song on the album. Even though it's a bit simple instrumentally, I still love how it sounds and Blaze just rules on it!
The intro guitar melody sounds so good to my ears. Good verses and great vocals by Blaze here. The energy kicks in and the song rocks. The chorus is great and I don't experience it as repetitive like some of you have said. Janicks solo is cool in this one!
A song that starts out so nice, with Blaze sounding good, singing atmospheric lyrics and... after around 2 minutes they just throw everything out. YOLO!
Having a harder time getting into this tune... it has its moments but it almost feels like filler. Almost.
Im really dissapointed that daves solo is so low in the mix, and because his legato is so smooth, it's hard tomake anything out.
The Man Who Would Be King took me longest to get into, but I'm starting to appreciate its complexity.
Am I the only one who gets a really Asian vibe from the intro lead? In fact, the whole song kind of has this vibe... the lyrics, too. I have no idea what the lyrics are actually about, but I get this picture of a monk traveling through the snowy mountains of Nepal on his way to a temple, and during his journey he reflects on his past.
This song grew the fastest for me. The intro and outro are beautiful, and the rest rocks as hell. Check how cool those rhythm guitars sound during the verses. I like it that Bruce's lines are short, so that we can really hear the guitars "breathing" in those pauses. One of the guys plays it a bit different as well, with higher notes.
The intro and outro are top shelf Murray. The verse riff, pre-chorus and chorus all sound remorseful in line with the lyrics. It is a great song and rightfully sits amongst the epics at the back-half of the album. The reverse solo of Dave's doesn't really work in my opinion, I would like to hear his original version.
In the best Maiden epics, the music paints a picture that perfectly matches the lyrics. This song’s failure is its inability to do that. It’s a disjointed song, with a lot of interesting parts and story that never really comes together. Musically, its more typically Maiden than the other TFF epics and after repeated listenings, I quite like it. It’s a good track that lacks that something special.
Maybe the solo is great just because of its harmony to the song that way. A great solo doesn't need to cover all the other elements of the song. If it has a special touch, we can feel it anyway.
I love the intro, the instrumental sections, the ending, and the overall vibe of this song. However, Bruce seems a bit....bored on this song. There is almost no passion in his vocals, which brings the song down for me a bit.
This song is great in part, but too soft and tedious in some parts. I dislike the intro and Bruce singing has a strange rythm, too much words I think. But it's pretty dramatic, and got some slick parts, with signature Iron Maiden guitarwork, so it is not an uninteresting song
I'm strangely comfortable with this.I'll vote now, and give 10s to all Blaze songs just out of spite.
We should give 10s to all the low-ranked songs and zeros to the top-ranked songs.I'll vote now, and give 10s to all Blaze songs just out of spite.
I honestly didn't think Dave had this in him anymore.
This song had huge potential to be one of the band's absolute classic songs, but is held back from being one by a couple of niggling frustrating flaws. Dave's intro solo, the ballad verses, and the chorus are just amazing, but the song as a whole, doesn't flow as well as it should. The heavier part that kicks in at 1:55 is too plain, and lacking the dynamic spike required to keep up the high quality of the sections which preceded it.
this is a song that wouldn't have been amiss on a Bruce album, which seems to be something of a theme for this album as a whole. The solo's are definitely great and there's some unusual stuff going on with the drum bits especially towards the end, which reminded me a bit of The Man Who Would be King. As with some other tracks on here, it needs more listens to truly sink in.
Well, for me this is worst song on whole album. And personally - I'm start to think that … Dave can't write anymore.
I thought this was great. Beautiful intro with some great emotional guitar playing. When Bruce comes in and starts singing you think this is going to be a song similar to Wasting Love, Out of The Shadows. Then out of the blue Nicko does an unexpected drum fill and the songs kicks into a fantastic beat with Bruce still driving the song with his vocals.
I want to take all back. This song is great. I don't know what kind of brain-fart I had in the morning but this song is quite nice.
To me, this song is by far and away the biggest disappointment on the album. It is one of two songs (alongside TGU) i think are noticeably worse than the other songs but this one is more disappointing because the first minute and a half to two minutes are genuinely great. From there on ("now we need to know the truth now") to the chorus it just feels monotonous to me. The chorus is better, but that doesn't mean I like it and I don't understand why people praise this and yet call WTRRD's chorus slow and sludgy.
I don't like this song. The 'floating' infite dreamish slow parts are cool but some parts feel like guys are tired/lazy. I don't know if its done by purpose to deliver exhausted feel, which it does. This song has the only sub-standard moments in the album. Chorus sounds like repetitive up n down textbook melodies which come off forced as well. Some cool twin guitar leads saves it alot, they are actually really good.
This did take a couple of listens to grow on me. It wasn't till I sat and listened to the lyrics that it hit me what a sad song it is. A lonely person sitting on their own while everyone around them is too busy to notice. So alone that they don't think that there will ever be a way out. They feel like nothing more than a pebble lost in the ocean.
no, because then you will unfairly malign Paschendale more.We should give 10s to all the low-ranked songs and zeros to the top-ranked songs.
We should give 10s to all the low-ranked songs and zeros to the top-ranked songs.
I don't think this one is _that_ great actually, it's a decent rocking song, but it sounds a bit too hasty to me.
This is by far the best song on this record. I love the drumming on it from Clive Burr. Paul's voice works extremely well and it's very powerful. One of my favorite IM songs for sure.
During the 80s it was one of my very favorites. Now I like it less. If anything it has a great energy and some awesome bass moments.
I don't think this one is _that_ great actually, it's a decent rocking song, but it sounds a bit too hasty to me.
This is by far the best song on this record. I love the drumming on it from Clive Burr. Paul's voice works extremely well and it's very powerful. One of my favorite IM songs for sure.
During the 80s it was one of my very favorites. Now I like it less. If anything it has a great energy and some awesome bass moments.
Awesome song, should have been on a lot more setlists
The guitar work here is absolutely fantastic, getting in more riffs in three minutes than some bands do in entire albums. Paul also gives a great performance, fast but really fits this song.
So, it's been my experience that there's always people who vote because they want to be different. Protest votes happen on every song, even Hallowed, that have an overwhelmingly popular opinion. The difference between Hallowed and Paschendale, Rime and Sign of the Cross, Seventh Son and Brighter Than A Thousand Suns, is that there are often TWICE as many people who vote for the earlier popular songs than vote for the latter top-tier tracks, especially Blaze works. So a protest vote against Paschendale is worth two-to-three times as much as it is against Hallowed, and as much as four times more in cases of Blaze-era tracks.Outlier rankings should be discarded. For example I noticed The Red and the Black has a few votes in the 1-3 range, which is ridiculous.
and I don't think anyone truly hates it.
To be fair they are quite silly
I think Loosey's job is complicated enough without having to look at distributions and percentiles.
T99: Lightning Strikes Twice - Virtual XI (Murray, Harris)
T99: The Man Who Would Be King - The Final Frontier (Murray, Harris)
98: The Man of Sorrows - The Book of Souls (Murray, Harris)