iroquois
Starblind
If they didn't played Infinite in the ME tour, they'll never play it again. I see this as a fact
Sad but true.
If they didn't played Infinite in the ME tour, they'll never play it again. I see this as a fact
I agree with this to some degree, but I still wouldn't rule out Infinite Dreams ever being played. They did some weird things on those History tours, like not playing Children of the Damned or The Prisoner on The Early Days tour, but bringing them out on subsequent history tours.If they didn't played Infinite in the ME tour, they'll never play it again. I see this as a fact
Well, of course Bruce is singing great nowadays... but I think hitting the high notes in FOI would pose a great challenge to him (to anyone, really). Just to mention a few difficult passages in the song: "IN THE NAME OF GOD MY FATHER I FLY!", "FLY AS HIGH AS THE SUUUUN!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHH"
Tough.
FOI is apparently a point of friction between H and the rest of the band, they probably just want to avoid a fight over it.
Nice!! I'd never seen this performance before. Is it in the same key as the original version? It sounds to me like it was moved down a half step, but I don't have a good ear, really.This is from the second half of 1999, sure that is 17 years ago but still with Bruce with his "current" voice (from Accident of Birth onward). He seems to pull it off nicely. (by the way, this is with the whole Angra band, not just with André Matos).
Because Steve wants to play it faster, and H thinks it has to be played at the exact speed it was recorded at.Why is it a point of friction?
The Angra version is indeed in Fm whereas the original is in F#m. Well done!Nice!! I'd never seen this performance before. Is it in the same key as the original version? It sounds to me like it was moved down a half step, but I don't have a good ear, really.
Oh, right. Yeah I remember him saying something about the Seventh Son tracks being played too fast on the album tourBecause Steve wants to play it faster, and H thinks it has to be played at the exact speed it was recorded at.
Yep. I seem to remember an interview where they specifically mentioned the song, but my mind may be making things up.Because Steve wants to play it faster, and H thinks it has to be played at the exact speed it was recorded at.
I think there's a happy middle ground the band hasn't really explored. Stuff like A Real Live Dead One is pushing the tempo to ridiculous extremes, but that recording of Flight of Icarus seems a bit draggy. They've managed to work out a reasonable tempo for Wasted Years though.I have to agree with Adrian on this ... I expect songs to speed up a bit live and that is cool, but Maiden went way overboard with that at points.I think he said something like "it sucked the soul out of the songs" and he was right.
I think there's a happy middle ground the band hasn't really explored. Stuff like A Real Live Dead One is pushing the tempo to ridiculous extremes, but that recording of Flight of Icarus seems a bit draggy. They've managed to work out a reasonable tempo for Wasted Years though.
Exactly, which is fair. I'm not in a hurry to hear Flight of Icarus live.
I find it more disappointing when it affects songs like Isle of Avalon or Paschendale being played.