Senjutsu - 3rd September 2021

Belshazzar said:
I had to dig out the old Trust and Pat Travers interviews, but he can clearly be heard saying "[something something] best album [something something something] ever made".
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I also know he'll read this and not respond. I can already hear him laughing and saying "Eee, oooo AH! You... bwarr you little lot" while screwing up his face at the camera. He of course knows that Belshazzar has a renowned sense of humour.
 
I know we all kind of were surprised at no Murray writing credits on Senjutsu and I just kind of realized how weird it was to not have one of his trademark melodic guitar driven intros. That being said, I haven't loved the last few tunes like this on TFF and BOS so it's probably for the best.
 
Donner said:
I just kind of realized how weird it was to not have one of his trademark melodic guitar driven intros.
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He played most of the lead melodies in "Hell on Earth", including the intro though. The part starting at 3:01, before the vocals kicks in, is played by Dave alone too.
 
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I can't wait to hear the album #18 - I think they can release at least one more album. It is interesting with what they will follow-up the incredible Senjutsu... the album will be great (as always), but will it top it? The fact that they can release such a strong album so late in their career makes the next album even more curious.
 
Dave does feel more like part of the rhythm section with Steve & Nicko on this one rather than alongside H & Janick i wonder if that actually has anything to do with him not writing anything
 
Donner said:
I know we all kind of were surprised at no Murray writing credits on Senjutsu and I just kind of realized how weird it was to not have one of his trademark melodic guitar driven intros. That being said, I haven't loved the last few tunes like this on TFF and BOS so it's probably for the best.
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Yeah. I'm also not a big fan of his last two co-written songs, but one song from Dave would have made this album even more special, without any doubt. Actually, this is the only aspect of the album which I don't like (and the title is still 50/50 for me).
 
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