Spaldy
Ancient Mariner
What's "woke" about it?Good grief, if we are going down this woke path then all Maiden will be able to sing about is stardust, moonbeams, and rainbows.
What's "woke" about it?Good grief, if we are going down this woke path then all Maiden will be able to sing about is stardust, moonbeams, and rainbows.
I think it's a little silly that Bruce is allowed to write an uncritical look at Churchill, but we here at Maidenfans aren't apparently allowed to dislike or criticize this approach.
So Dio was ahead of its time?Good grief, if we are going down this woke path then all Maiden will be able to sing about is stardust, moonbeams, and rainbows.
I'd disagree with that when there's lines about Britain standing alone, and barbarians being at the gates. They might have been at the gates of Stalingrad but they were nowhere near the gates of London, or even the cliffs of Dover.
EDIT: For the record, I have no problem with the song, or have any issue with Maiden singing about Churchill, at the end of the day whatever the flaws of Churchill he got it right on the major thing he needed to in his life. I was just surprised at the very "dads army" style poetic liberties taken to the lyrics from an actual history graduate.
I would agree with @srfc - Darkest Hour is clearly in character presenting the view Churchill had of the events.
It is not an unproblematic way to go about this subject in our current day and age, but strictly speaking it isn't claiming Churchill singlehandedly saved the world from the forces of evil, only that he thought it.
Absolutely. If it were a Sabaton song I would not write a word about it. But from Dickinson I expected more thought provoking lyrics.
Absolutely. If it were a Sabaton song I would not write a word about it. But from Dickinson I expected more thought provoking lyrics.
It certainly is hard to reconcile how this comes from the same mind as Empire of the Clouds.
It’s all a celebration of Britain’s glorious history. “Empire” still has all those images (“‘We’re down lads,’ came the cry”, instead of, “‘We led a bunch of people to their deaths by ignoring the weather and will now crash land here in France, fuck!’ I heard the captain swear”) but as a whole is just done way better.It certainly is hard to reconcile how this comes from the same mind as Empire of the Clouds.
I mean, this is a matter of interpretation, but to me "Empire" reads like a caricature of British imperialism. Bruce evokes all the pathos of British grandeur but shows us it belongs to a mindset of people who are completely full of themselves ("royalty and dignitaries, brandy and cigars"), have the vision of a limitless empire ("to India they say, magic carpet float away"), but eventually all their bombast drags them down to their doom. The language is very British, but if there's one thing I know, or thought to know, about Bruce, it's that when he talks about Britain and British ambitions, he likes to be very tongue-in-cheek. I thought "Empire" was such great storytelling because Bruce uses the R101 disaster as a metaphor for the British Empire as a whole.It’s all a celebration of Britain’s glorious history. “Empire” still has all those images (“‘We’re down lads,’ came the cry”, instead of, “‘We led a bunch of people to their deaths by ignoring the weather and will now crash land here in France, fuck!’ I heard the captain swear”) but as a whole is just done way better.
I mean, this is a matter of interpretation, but to me "Empire" reads like a caricature of British imperialism. Bruce evokes all the pathos of British grandeur but shows us it belongs to a mindset of people who are completely full of themselves ("royalty and dignitaries, brandy and cigars"), have the vision of a limitless empire ("to India they say, magic carpet float away"), but eventually all their bombast drags them down to their doom. The language is very British, but if there's one thing I know, or thought to know, about Bruce, it's that when he talks about Britain and British ambitions, he likes to be very tongue-in-cheek. I thought "Empire" was such great storytelling because Bruce uses the R101 disaster as a metaphor for the British Empire as a whole.
That's why it is so difficult for me to handle the completely unironic take on Churchill found in "Darkest Hour" as coming from Bruce. It celebrates the same pompous glorification that "Empire" parodies.
I agree, and I think your take is a great one I mostly agree with. The only thing is that in framing “Empire” as a tragedy, one can draw the conclusion that the fall of the British Empire is likewise a parody, one that Mr. Dickinson is incredibly sad over. But that could be picking at straws and looking for intentions that aren’t there in actual fact. As far as I know, Bruce just really likes England and British history and comes at it from a point of old-school gung-ho-ery with a dash of modern hipness. Kinda depends on the song as to where he achieves success best.I thought "Empire" was such great storytelling because Bruce uses the R101 disaster as a metaphor for the British Empire as a whole.
That's what I would have presumed. Churchill's claim to fame wasn't him being the real life inspiration for Rambo.I'll give Bruce the benefit of the doubt and say that those lyrics are referring to the pre-war period when he was a loan voice opposing appeasement, rather than it being Churchill claiming to have singlehandedly won WW2