Been watching a lot of anime films lately... sneaked in a couple of live actions too.
My Neighbor Totoro - 8/10
Heartwarming, magical, whimsical, incredibly adorable and cute --- which is pretty much par for the Hayao Miyazaki course.
It did seem pointless in the sense that there wasn't a story: The mother's illness wasn't explained and the reasons for moving to the country are left to the viewer's assumptions. There's a small conflict at the end that lends to the film having some semblance of plot, but it's really more like a series of related vignettes that depict the innocence and childlike wonder of the two sisters. In any case, it really didn't seem like it needed the elements of a conventional narrative since it was wonderful, fun and charming enough to watch as it is.
☉.☉☂
Also: Catbus rules.
Grave of the Fireflies - 10/10
Heart = Crushed
Anyone who doesn't feel either remorse or sadness while watching this is not human.
In terms of visuals, it's probably the most picturesque Ghibli film I've seen. The way the animators handled the use of light and shadows was amazing here. It's also one of the most affecting Ghibli releases in terms of story. So many scenes feel like punches to the emotional gut because they're so seamlessly tied up with endearing and lighthearted moments. Such a heavy and haunting film.
Lots of people compare Pixar to Studio Ghibli because both studios handle the elements of a great animated film so well while going beyond the stereotypes at the same time. However, until the time comes when Pixar is able to create a brave and powerful film such as this, Ghibli is still the benchmark for which animated films should be measured.
I saw these two Studio Ghibli classics above and only discovered after watching that they were shown simultaneously in Japan upon release as a double-feature. I thought that was genius since the films have such differing tones yet are similar enough to be perfectly complementary to each other.
Perfect Blue - 8/10
Loved how the film was able to blur what was real and what was not in an almost Mullholland Dr. sort of way. The film started out typically enough, but gradually evolved into this dark and unsettling mystery/psychological thriller that pulled of that paranoid atmosphere brilliantly. I'm not exactly convinced how the mystery was resolved, but it's a gorgeous mindfuck of a film that I wouldn't mind watching again.
I got this because I read that Darren Aronofsky's upcoming Black Swan was somehow based on Perfect Blue. If that's really the case, then I'm really psyched for Black Swan now.
5 Centimeters Per Second - 7/10
The narrative can be boring and fascinating at the same time, but it drew me in any case. It's a sad tale about all the unfortunate things about love, and maybe I'm just a sucker for that type of thing: Loving the wrong person... or the right person but at the wrong time/place... unrequited love and moving on. I didn't feel it was heavy-handedly sappy or melodramatic. In fact, it came across as very subtle and reflective. Oh, and the animation is stunning, but I got over it pretty quickly.
Dark City - 6/10
Oh hey it's the bald dude from The Crystal Maze! Dark City starts out interesting enough, but develops in a clumsy and uneven manner than the interest wears off after a while because of all the questions spinning in your head. It ends up feeling like a mix between The Matrix and The Truman Show. Eventually, everything comes together quite nicely, but the climax and ending just feel too weak to sustain the film's initial promise. It's still a stylishly shot neo-noir, which lines up with my taste, so that's good. And anything with Jennifer Connelly can't really be that bad in my book.
The Conversation - 6/10
I'm not sure what makes this film a great one. I find that it has a "cult status" as far as Coppola films are concerned considering most of his other classic films have both achieved widespread mainstream and critical acclaim. It's just not creepy/thrilling/intense enough to work for me. It's slow, subtle and tepid although it's pretty good in creating that paranoid and vulnerable atmosphere that builds up towards a nicely done ending. I also enjoyed seeing the various technology as well as how they were manipulating and analyzing the audio. Otherwise, not such a memorable viewing experience.
Nausicaä of the Valley of the Wind - 5/10
Quite the disappointment. It could be the fact that I've been watching really good animes for the past several days. It could be because this type of heavy-handed sci-fi just isn't my thing. It could be because I've already seen Mononoke and this felt redundant. Either way, I found it too bland and boring. There was nothing about the animation that was noteworthy, the film had almost no light/funny/heartwarming moments in the way that the studio does so well, and there was nothing that made me care about the characters or the story in any way. Everything was sadly just too serious, dated and uninteresting. There was none of the magical and powerful type of Ghibli entertainment that would inhabit their later films.