Not a fan of the more gimmicky sort of horror here, either. They've either got to be genuinely creepy, or else theatrical.I can't take Chucky seriously at all. As a horror movie, Child's Play is abysmal. It's really more of a black comedy than anything else.
The idea of Horror franchises fills me with dread for the future of the genre tbh...
Uh, how is a one-off film a franchise? No.
^ I understand your reasoning, but I'm not convinced it played out like that in 1954. The correspondence that Tolkien received at the time (late 50's) was predominantly from adult readers. Sure, there were young fans, but that was probably more in the ascendency in the late-60's & early-70's when Tolkien really took off in the US i.e. the paperback boom making it affordable (vs. three hardback books). Again, this still wasn't a child-readership; this was mostly college-aged students. I'm not really disputing that "young people" read & still read LotRs; I'm just saying nobody would really categorise them as children. That's The Hobbit. And, opinions aside, it certainly wasn't ever marketed for children at the time; which is what you originally said...
The Conjuring Universe so far remains the best horror franchise ever for me. Actually, the best franchise ever, period.
The idea of Horror franchises fills me with dread for the future of the genre tbh...
It was a general remark in response to 6's franchise comment. Do Horror movies have to be part of a franchise to be successful? My view is no, but I'm beginning to think others view everything through the prism of EU's, Worlds, and franchises. Do you follow? Maybe I also don't understand the definition of film Horror either. To me, everything discussed in this thread seems to submit to a fairly narrow definition of Horror generally. As someone who reads "Horror" (in the broadest sense) I regard the term as being far more widely applicable. But as I say, it's film Horror we're discussing here so maybe I'm missing the point. Most Horror films I watch are total shite.What one off film are you talking about? Child's Play isn't one. I'm no expert in this genre but nearly every film I can think of has many sequels/prequels/whatever. That's nothing new, so I'm a little lost why this makes you worry for the future of the genre.
Also bear in mind that Tolkien & his publisher (George Allen & Unwin) literally did nothing but market books. The only thing non-book that they marketed, in respect to Tolkien, was calenders in the late 70's i.e. nothing but books during Tolkien's lifetime. Most non-book marketing of Tolkien has been licensed through Tolkien Enterprises (now Middle-earth Enterprises) which Tolkien, & later the Tolkien Estate, sold control of in the late-60's/early-70's. Hence the films.Agreed. I thought about it last night and indeed marketing was very different back in the 30s-50s than today. For example, I thought about what franchises have toys and which don't and then the type of toy. Star Wars had action figures (dolls) from day one and today it's worse. The Hobbit/LOTR has Lego toys, not too sure on action figures. GOT has a video game, but I'm not aware of any CHILDREN'S action figures, I'm sure there are some models aimed at collectors in the hundreds of dollars. Nor is there a lego license... yet. lol. Therefore, the modern toy machine aside, I have to agree that LOTR was not originally marketed to children.
Do you follow?
Do Horror movies have to be part of a franchise to be successful? My view is no, but I'm beginning to think others view everything through the prism of EU's, Worlds, and franchises.
See, this is my problem. Most of the franchises you just gave are rubbish. Maybe my definition is just too broad. I view quite a lot of films that have horror elements as Horror films. Decent one-off Horror movies might include: Sunshine (labelled "SF thriller"; but it's basically horror in space); & in a similar vein Event Horizon; classics but goodies like The Shining &/or The Wicker Man (1973). I'm not saying they're all flawless, far from it. But they all have elements beyond bodily horrors i.e. beyond sadism. Not saying a film can't be just about that; just don't find it that interesting, personally.I also agree with this, I'd rather watch one great film over five mediocre ones. But again, a large majority of horror, or at least the most well known ones are all part of a franchise. I'm probably the wrong guy to discuss this but it always seems to have been that way. You could start with the Universal Horror films, then go to the Hammer Horror films with Christopher Lee and Peter Cushing, then the slasher films, then the "torture porn" or whatever it was called like Saw and Final Destination, The Conjuring is just the latest in a long line. Thinking about it, following the success of Halloween this year we'll probably get a cycle of slasher remakes.
See, this is my problem. Most of the franchises you just gave are rubbish. Maybe my definition is just too broad.
The Shinning...
...I'm not saying they're all flawless, far from it.
Well, what are you waiting for?Never seen The Conjuring
How about this: it's generally considered to be one of the best (if not the best) horror film to come out since the '70/80s. Some people found it scarier than The Exorcist was when it was released.A good reason?
Do Horror movies have to be part of a franchise to be successful?
You're going to need a better reason than that to convince me to watch something. Why is it a good film?How about this: it's generally considered to be one of the best (if not the best) horror film to come out since the '70/80s. Some people found it scarier than The Exorcist was when it was released.
Yip, totally agree.What I'm trying to say is that I think most of the time, the first movie is always the best...think Psycho, Jaws, The Exorcist, The Omen etc, none of those movies really needed sequels.