I really like (or should I say love? ) Tarja a lot, specifically on this album. As if she went into the unknown, exploring herself a bit more.
We get less operatic singing, and from time to time she sounds vulnarable/fragile (I mean that positive). She's more up close, I am not sure how to explain it better. You can e.g. hear that in Ever Dream, End of All Hope and Slaying the Dreamer.
Forever Yours is probably the weakest song, very Celine Dionish (My Heart Will Go On).