After spending a week with the new album I've figured out what's great and what's average, and overall this is a very good album. Death Magnetic was a bit more consistent, but the high points here are better.
01. Hardwired - Intense music with abysmal lyrics. These guys are in their 50s and are still swearing like children? Lame. The music on this one is a bit simple for my tastes, but it does its job.
02. Atlas, Rise! - One of my top five, although it took the longest to grow on me. The main riff sounds like someone slashing a knife wildly through the air; I love it! Catchy syncopated chorus with an instrumental section that kinda sounds like early Maiden. Great tune.
03. Now That We're Dead - The first of a few mid-tempo rockers, this one is decent. Catchy chorus, a bit of lead work by Hetfield, and some nice start-stop riffage.
04. Moth Into Flame - One of my top five. I liked this song when they first released it as a single. When the verse kicks in, there's so much power it's incredible. This band has always excelled at putting breaks in riffs at just the right point. The subject matter here is nothing unique, but the power and melody of this song carry it.
05. Dream No More - One of my top five, although it's still growing on me. Downtuned and dark and bottom-heavy (the bass just rumbles here), I'm thrilled that Metallica decided to revisit the Lovecraftian themes of a few of their earlier works. The catchiest part are the vocals in the outro.
06. Halo on Fire - One of my top five. Probably the most commercial and accessible track here, but that's not a bad thing. It definitely has a Load vibe, but the melodies throughout are top-notch. This is the closest the album ever gets to having a ballad, but as others have stated, it doesn't need one.
07. Confusion - Enter the cliche war-themed song. There's some great riffage here, and plenty of catchy vocal hooks. Pretty intense song with Lars banging on the snare the whole time. In terms of quality, I'd rank it about even with Now That We're Dead, and just above the title track and Murder One.
08. ManUNkind - Stupid title, stupid song. Easily the weakest here, and it begins the "chunk of four" weaker songs that were, for some reason, all placed back-to-back. On the plus side, I think this is one of only two songs with a standout bass part.
09. Here Comes Revenge - Another filler song, although just slightly better than the last. Second weakest here. Few redeeming qualities.
10. Am I Savage? - I initially though this was the weakest song on a first listen, but there's lots of catchy riffs and other things to like here. The lyrics are cheesy and cliche werewolf stuff, but that's Metallica for you. Hetfield sounds kinda different on this song (like on the pre-chorus), and it's interesting. The main riff is great, if not a bit ReLoad-ish. Still, when compared to the rest of the album, this is one of the three weakest tracks.
11. Murder One - What is this song about? It sounds psychotic. The fourth worst song here, but it's not bad or anything. The only really memorable part is the slow, chunky, sinister riff under the "chorus." Oh, and when Hetfield sings "aces high." That's kinda cool.
12. Spit Out the Bone - One of my top five. Probably the finest blend of thrash, heaviness, intensity, and melody the band has ever accomplished in one song. I'd love to see Lars pull this one off live. That main riff is catchy as hell, and the two bridges have some of the best melodies they've done since the '90s (and more Maiden!) Cheesy lyrics about machines killing people make this perfect. I'm sure it's a metaphor for something serious, but then again, maybe not. "Terminate for me!"