1: Painkiller
2: Defenders of the Faith
3: Screaming for Vengeance
4: Firepower
5: British Steel
6: Stained Class
7: Sad Wings of Destiny
8: Angel of Retribution
9: Sin After Sin
10: Killing Machine
11: Turbo
12: Nostradamus
13: Redeemer of Souls
14: Ram It Down
15: Point of Entry
16: Jugulator
17: Demolition
18: Rocka Rolla
Defenders:
Highest Score: 18 (
@Diesel 11)
Lowest Score: 11 (
@MrKnickerbocker)
Painkiller:
Highest Score: 18 (
@Kalata @The Dissident @KidInTheDark666 @Siddharth @DJMayes @Yax @MrKnickerbocker @The Mercenary)
Lowest Score: 16 (
@Diesel 11 @Sth2112 )
The most surprising element of the final result is probably the high performance of Defenders of the Faith. I imagine most people expected Painkiller to finish first, but I wouldn't have predicted Defenders to come in even the top three. Both albums had very impressive showings. Obviously Painkiller had the most #1 placements by far, and not a single member placed it lower than #3, which is a pretty incredible consolidation of an otherwise scattered fanbase. Defenders had a similarly consistent performance. Not a lot of #1 rankings, but the vast majority of users placed the album somewhere in their top three.
Lets start with Defenders. In my opinion, this album is in the running for the best first side in Metal. The run from Freewheel Burning to The Sentinel is honestly at a level that I don't think Priest ever reached before or ever would again. It's a consolidation of everything the band had experimented with at this stage in their 10 year recording career. So much variety in these four songs. Freewheel Burning evokes the relentless speeds of songs like Exciter and Call For the Priest. Rock Hard Ride Free shouldn't work, but the huge undeniable hooks and intricate instrumental sections put the song on a level above its counterparts on albums like British Steel and Killing Machine. The Sentinel and Jawbreaker bring a drama and gravitas that was signature to Priest in the 70s, but now updated for the 80s. One thing that sticks out to me is just how incredible the guitar work is on these songs. I have mixed feelings on the duo of Tipton/Downing that I haven't really expressed much here. In short, I think they reached higher than the Maiden guys, but it doesn't always work. There are some really ambitious solos in the Priest catalog, but they are not always executed well. On Defenders not only are the solos executed well, but there is a lot of room for intricate guitar work. Songs with multiple solos, intense harmonies, and just great riffing all around. To me, this is the best guitar work in Priest (not counting Richie's recent contributions).
The album fools me into thinking it's Priest's best until we hit Side 2. I'm not sure I can think of another album that has such a dip in quality between two sides, but side 2 of Defenders of the Faith really feels like an afterthought and a bit of a hodgepodge. Love Bites is fine, but it also feels so out of place on the album. The mechanical poppy sound that hints toward Turbo just doesn't fit what we've heard so far. Eat Me Alive is also fine, but lacks the punch and uniqueness of the first four songs. It reminds me of the good but not always memorable uptempo rockers scattered throughout the 70s catalog (Running Wild, Invader, Deceiver, to name a few). I know people like Night Comes Down, but I don't find it that much more memorable than any other Priest ballad, maybe I just don't like their ballads much? Heavy Duty/Defenders of the Faith is just a bad Queen knockoff. The one bright spot is Some Heads Are Gonna Roll, which feels like a perfect followup to the previous album while also pushing things forward.
With such an uneven second side, I can't put the album at #1, but the first four songs (+a couple solid moments on the second side) are enough to put it at #3 for me. At the album's best, it's the best material Priest has put to tape IMO.
Which brings me to the album that most people consider to be the best material that Priest has put to tape. I've had a weird relationship with Painkiller over the years. For a very long time it was my top Priest album, but I have found that I go back to it increasingly less when I want to listen to Priest. After reflecting on my initial list and going through the albums in this fashion, I think I've landed on some reasons why. The thing that I think sets Painkiller apart from the other albums is that there's not "but" to it. Almost every Priest album has something working against it for some segment of the fanbase. Firepower is a great album but KK Downing isn't on it. Stained Glass is heavy, but the production holds it back. Screaming For Vengeance is a little too poppy at times. Painkiller has a musical vision and perfectly executes it. It's heavy, the production is modern and slick, the band finally has interesting drums again, and every single song fits the Metal vibe (no Love Bites or United type moments, but even the ballad A Touch Of Evil has a sinister feel that's true to the rest of the album).
I have to say though, I think Priest's tendencies toward trying different things and attempts at hit writing, while sometimes leading to their worst moments, also makes for albums with really interesting variety. I rated Screaming For Vengeance #1 and while I mostly lean into the heavier side of things, I also love songs like Take These Chains and the medium rocker Devil's Child. I think I miss that variety on Painkiller a little bit, and the album almost drifts into same-y territory. If you pull the sleek production back on a song like Leather Rebel, I don't know if you're getting anything
that interesting. Similarly something like Metal Meltdown has an insane instrumental section, but the main riff and chorus are actually pretty ridiculous sounding. It's a devil's advocate position though, as the majority of the album is excellent. I placed it at #2, for reference.
Overall this game has been a really interesting run and definitely my favorite so far! I haven't had a comprehensive dive into Judas Priest's discography in years, so this was a lot of fun. I think in a roundabout way I've really come to appreciate the band more recently than I had, say, since Firepower came out. They certainly have a wildly uneven discography, but at their best they have a knack for incredible hooks and riffing, as well as creating a foundation for Halford to shine. I have come to appreciate their best work more, which is what you generally want out of something like this I think.
Thanks for following along everyone!