Up to this point, Derek's arrangement with Rod and the band worked very well. That would all change come 1992's Fear of the Dark, which would wind up with an Eddie grafted to a tree, courtesy of one Melvyn Grant. "What can I say about Derek's art that Maiden fans have not already said" offers Grant. "Good music is always enhanced by strong imagery and the roll his work has played in the power of maiden should not be underestimated."
There with stories going around at the time that three artists were given the chance to come up with the penultimate Fear of the Dark image. Here's how Derek himself sees the situation.
"Fear of the Dark, they had asked me for sketches along certain lines. I'd do a lot of sketches, and thenthey'd act like they never asked for them, or something weird. I submitted 20 ideas, 20 original Eddie ideas of sketches; it took about three weeks. So I show him these and he just flipped trough them quickly while talking on the phone, and threw them back to me and said, 'Well, where are all the ideas I asked for you?' 'Excuse me?' I had done a load of sketches at one point. He had said at one point, 'We're going to make Eddie look like a werewolf. So do us a load of sketches of Eddie as a werewolf.' So then I did about 10, 15 sketches of what Eddie might look like as a werewolf. I took them in there, and he's going, 'Well, why's he always looking like a werewolf?' And it's just like, 'Well, that's what you asked me to do.' 'No, no, that was last week. We want him to look like a vampire now.' And then he starts going, 'Steve's got this guy who does tattooes, and he drew this picture, and we want Eddie to look like that. And this went on and on and on. And in the end I just said, 'Look, find someone else to do it.' In the end I did one sketch of Eddie, it was a design for Eddie leaning over the foot of the bed, leaning over the foot of the bed, leaning toward you. You could see the feet of the person, and you can see the end of the bed, and you can see his handswere clutching the sheets, and Eddie was leaningover the foot of the bed, and in the darkness around him were all these sort of monsters coming out of the dark. And I showed them the sketch, and they took it away, because I was just starting painting it, and they took it to Steve. Steve wanted him sitting at the foot of the bed like a little two foot-high demon with pointy ears sticking his tongue out. At that point I just said, you know, I've had enough, I'm sick of this, I'm not going to do any more of this. And I put the phone down. I wouldn't talk to him again. And they ended up using the Eddie coming out of a tree. And that was sort of the beginning of the end."