It seems like he was switching back and forth. Possibly putting SD in neck to get more output, like he does with JB's now.Here's the 1957 Kossoff in a later stage with the pickup rings in the official Number of The Beast video.
He's still clearly using a SuperD in the neck in the NOTB era.
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Yup, and Adrian hated it. Black Lado was fitted with a gold Floyd during World Slavery tour. Silver Lado followed, but it's unclear when. Possibly before Somewhere On Tour.![]()
So this is from 1980-1981, probably 1981. It looks like a PAF in the neck position (the picture is not detailed enough to look directily at the pole pieces, but they seem to reflect light a little bit differently, so I'm going to take a guess here and say that it's a PAF and not a Super Distortion in the neck, which would then indicate the possibilty of him recording NOTB with a PAF neck pickup in his Kossoff Strat).
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This is the tremolo system he used for a couple of months early during the World Slavery Tour, it's a Rockinger Tru Tune Tremolo.
Adrian Smith also had that tremolo system installed on his two Lado's (now refitted with Floyd Rose Bridges)
Yep, very much possible.It seems like he was switching back and forth. Possibly putting SD in neck to get more output, like he does with JB's now.
It seemed to me that there was much more of the green Jackson in the last shows, but I could be wrong. Also, abandoning the sunburst seemed strange since he enjoyed it a lot and it looked like he preferred it over the other one. Could be something technical or just Adrian rotating axes without any particular reason.Why? One of them was always played and it was played nore than the green Jackson.
Or... The weight of it, which is apparently more than a Les Paul.It seemed to me that there was much more of the green Jackson in the last shows, but I could be wrong. Also, abandoning the sunburst seemed strange since he enjoyed it a lot and it looked like he preferred it over the other one. Could be something technical or just Adrian rotating axes without any particular reason.