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Azas said:
Hmm, if that’s true, then maybe Steve has entered ‘seize the day’ mode. Maybe he sees no point in stressing out for several months while putting together a new Maiden album. It might be better to enjoy life—and make some more money along the way.
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I think of all the reasons this js basically it: more fun to play shows and earns them $£€
Trevoire said:
They have to spend months together to make an album?
But somehow spending months on the road is totally different and not a problem.
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sadly not because the new albums don’t really generate serious profit anymore due to streaming.

My other concern is that Maiden accidentally proved to themselves with Senjutsu that they are in a fixed groove / aka a rut when it comes to composing new music. High quality still but using an established set of templates for decades now. And this makes another album feel like a chore rather than a joy… speculation on my part only.

Wish they were excited by using Simon in the studio for a change of pace (literally)
 
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Helmuth Von Moltke said:
I think of all the reasons this js basically it: more fun to play shows and earns them $£€

sadly not because the new albums don’t really generate serious profit anymore due to streaming.

My other concern is that Maiden accidentally proved to themselves with Senjutsu that they are in a fixed groove / aka a rut when it comes to composing new music. High quality still but using an established set of templates for decades now.

Wish they were excited by using Simon in the studio for a chance of pace (literally)
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Recording and publishing new music is nothing short of an investment in PR for touring it live. No profits from sales at the level the band could be satisfied with, even Maiden's status.
 
The_7th_one said:
1980-1989 : 7 studio albums
1990-1999 : 4 studio albums
2000-2009 : 3 studio albums
2010-2019 : 2 studio albums
2020- now: 1 studio albums

Can you see it?

First ten years: The prolific years
Last ten years: The lazy years
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Make the calculation in cumulative album run time and you get a VERY different impression (believe me, I once did it on a spreadsheet)
 
Helmuth Von Moltke said:
I think of all the reasons this js basically it: more fun to play shows and earns them $£€

sadly not because the new albums don’t really generate serious profit anymore due to streaming.

My other concern is that Maiden accidentally proved to themselves with Senjutsu that they are in a fixed groove / aka a rut when it comes to composing new music. High quality still but using an established set of templates for decades now. And this makes another album feel like a chore rather than a joy… speculation on my part only.

Wish they were excited by using Simon in the studio for a change of pace (literally)
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There's a large amount of projection there in the chore/joy comment.
 
Trevoire said:
They have to spend months together to make an album?
But somehow spending months on the road is totally different and not a problem.
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Of course it’s totally different.

Every gig they do on the road they get paid for. They don’t get paid anything to sit in a recording studio for a few months writing and recording, in fact it costs them to do this.
 
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Helmuth Von Moltke said:
My other concern is that Maiden accidentally proved to themselves with Senjutsu that they are in a fixed groove / aka a rut when it comes to composing new music. High quality still but using an established set of templates for decades now. And this makes another album feel like a chore rather than a joy… speculation on my part only.
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It makes no sense, that's their preferred approach (since 2000 or 2006), plus they can always change their style a bit, return to the roots to say, and Simon could bring something new, they just don't seem as enthusiastic, unfortunately. With Nicko in the band it probably would have been the same. If Adrian and Steve announce some plans for next year with their solo projects, it would be a bit harder for the band to work around and that would show their preferences now. They know the hits will always be more popular live, no matter what.
 
matic22 said:
TO be honest, I have a feeling that Steve isn't as driven as he used to be with Maiden. I don't know why. And some interviews since TBOS indicate that. I think something changed back then with the passing of some of his close friends.
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I totally agree with you. I would put the turning point even before 2015 .i said in another thread here that Steve Harris is a changed man since 2012 . What bothers me the most is how passionate he is with everything related to British Lion. It seems now British Lion is his work of love and Maiden well...his long time job. Yeah yeah i know what some of you will say 'he earned it " , "have some respect" , "be grateful " , " what have i done with MY life or how many albums have I released " but it hurts to see him like this . As a fan since 1986 yeah it hurts . And personally i dont care about another hits tour or another recap of their history.seen that again and again. I think this is the end of the road . Iron Maiden is a nostalgia act now. I really wish they prove me wrong but honestly can't see that happening.
 
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Alot of people slow down in work when they are approaching their 70s, after all Maiden are all past retirement age! I am still hopeful that Maiden will put out another album but whether it is with the current lineup remains to be seen. Bruce and to a lesser extent Adrian still seem to want to keep recording and touring. Maybe Steve wants to do other things with the rest of his life.
 
Rob77 said:
Alot of people slow down in work when they are approaching their 70s, after all Maiden are all past retirement age! I am still hopeful that Maiden will put out another album but whether it is with the current lineup remains to be seen. Bruce and to a lesser extent Adrian still seem to want to keep recording and touring. Maybe Steve wants to do other things with the rest of his life.
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We don't know what they're going to do in the future. 2027 will be a break from touring, but I suspect in 2028, they will be back for some festival shows and selected concerts in some countries. I think RFYL is the very last global tour, so they wanted to play as many stadium shows as possible. The documentary movie and spectacular tour, they want to finish the world tour in great style. Simon is the drummer hired just for touring, not a real member of Maiden. I don't think Steve considers him a studio drummer. Senjutsu is the very last studio album in 99%.
 
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