Absolutely not. Where did you find the individual stems/multitracks to do a remix?I have remixed half the album
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Absolutely not. Where did you find the individual stems/multitracks to do a remix?I have remixed half the album
Tell me what you think about itLoading…
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AtmosAbsolutely not. Where did you find the individual stems/multitracks to do a remix?
I pretty much agree with this. I am mixed on the album after one listen, but I think for a Bruce Dickinson solo album released while he's still in Maiden I would prefer this sort of eclectic mix of songs. I generally enjoyed the album the most when it was being weird - the big exceptions being Shadow of the Gods (heavier) is a clear highlight track and Sonata (weirder) didn't really do it for me. But I like a lot of things about Ressurection Men, particularly with how out of left field it feels for Bruce. I think the album is a grower and like that you can hear a little bit of each Dickinson "era" so to speak. Some Skunkworks, some Chemical Wedding, even some Tattooed Millionaire. It's a more remarkable album than Tyranny of Souls, although the fact that the strongest tracks between both albums were for that Three Tremors project makes me sad that it never came to fruition. Keyboards are a big plus as well, wasn't expecting them to contribute as much as they did.I agree with this, especially the keyboards.
I will also add that, despite my dislike of certain songs and parts, I find each track to be pretty unique. The album certainly doesn't bleed together (in the way that Skunkworks and TOS do).
The funny thing is that the verse riff in Mistress is self-plagiarized and almost identical to the main riff in Freak.Also I totally forgot to mention this earlier but Mistress of Mercy sounds so much like Headswitch that it honestly almost felt like they deliberately remade it at first to me. Like, oh they did IESF the Dickinson solo version, here's a Skunkworks tune reimagined to accompany it.
Back then he said the song was called Nightmares, no idea if that's a working title of something that ended up on the album but it also seems like there was a lot of material that was left off as well.ing else that couldn't be used since it was a Roy Z co-write.
Did we ever find out what that other song was? I want to say it was Nightmares or something but it's entirely possible I just have too much Maiden minutia crammed into my brain. Just curious of anyone knows for sure.
What I don't like about sonata is that it feels flat. Like there is not variance.Okay Sonata's like halfway through and I'm checking my imaginary watch. I just don't jibe with this at all. It sounds like it wants to be grand and important but something about it just falls flat. The lyrics aren't really anything special either, despite the hype.
Overall I don't think I'll be revisiting this album in full any time soon since I keep feeling like I'd rather listen to something better.
Second one, while in Maiden.Bruce's 3rd album while in Maiden I think?
Tattooed Millionaire, Tyranny Of Souls, and The Mandrake Project were all released while Bruce was in Maiden, so that's three. And The Best Of... too, if you want to count that one...Second one, while in Maiden.
It means they can add and remove parts, sounds, different vocal takes etc. Doing all this remixing might take a couple of weeks for each album, so Roy will definetly be busy in studioThe ''reimagined'' bit is curious. Does that mean they could change or add different ideas to some songs on some albums? That would be a big surprise and quite unexpected. For BTP they had some recorded stuff from back then. It's great that he and Roy have so many demos and ideas from all years. For me it's cool when a song from one album sessions is used for another album, nothing is wasted and is a throwback moment in time. I certainly hope so for the song called Nightmares. And it seems they have a good amount of leftovers from the new album sessions.
I have finally my copy now, so I will listen to it in the wee small hours. Finally really excited!