The songs I've highlighted aren't power ballads.
I would counter by saying that your definition is too wide. Poison is 100% not a power ballad or a ballad of any kind. It's a hard rock anthem.
Poison isn't a power ballad, but I can see why some people might say it is.
And that's the issue as there seems to be some who think that soft verse + big chorus = power ballad. Well, if that's the case then basically every 90s grunge song is a power ballad.Eh, like Spaldy said, if you widen the goalposts enough then yeah, it's got calmer verses and big, powerful, anthemic choruses like most power ballads, but the feel is totally different.
Music categorization works by approximation. It's a spectrum with, sometimes, quite heavy doses of potential leeway. Call it power ballad, call it semi-ballad, call it a non-ballad. It all works.
The only real ballad Maiden have, is Journeyman.
Amen. The theme of a power ballad should be love/heartbreak or something emotional. Heaven by Bryan Adams, Bon Jovi's Always, Whitesnake, Poison, Skid Row, Alone by Heart, Dokken and so on.My 2 cents is that “power ballad” is a pretty narrow term that refers to songs from the MTV era in the 80s and the very early 90s. There should be a big chorus, some acoustic guitar, and probably a music video. I don’t think Prodigal Son or Out of the Shadows fit any of the criteria there. But Wasting Love kinda does, so to me it’s as close as Maiden gets to a power ballad.
That's a folk ballad possibly. Coming Home is the closest they have to a power ballad imo.The only real ballad Maiden have, is Journeyman.
Close call, I remember you is definitely a power ballad thoughI'd say 18 and Life is a borderline case. I'd categorise it as a power ballad by gut, but I can see why people wouldn't.
80's power pop-rock along the lines of Living on a prayer etcPoison isn't a power ballad, but I can see why some people might say it is.
Written by the same guy to my knowledge (Desmond Child).80's power pop-rock along the lines of Living on a prayer etc