Again, my statement was intended in a very general way, not as criticism. My apologies if it was taken otherwise.
I've had the riff at 9:39 stuck in my head all day and I don't ever want it to leave.
Absolutely. Not even with the lyrics, but the music and general vibe of the song totally takes me back to Angel. It also seems like Harris especially wrote this with the live stage in mind. Not just the woah oh oh choruses, but I can totally hear thousands of South American fans singing along to some of those guitar melodies. This one is going to rule live.Does anyone else get the feeling that this marvellous song is Steve's attempt to re-do the content of The Angel and the Gambler but make an actual Iron Maiden song rather than a Yes tribute?
It's actually all over When the Wild Wind Blows. I think the melodies on this one are more singalong friendly though.First part of the song (or the "vocal" part) is awesome. Guitar leads being played alongside Bruce's singing is something they never did before as far as I know and it works perfectly.
What the fuck is Steve doing to that bass? 4/10 for the comedy.
I get a great vibe from these sections starting with:
The black jack king and the red queen clash....
The good luck charm is overkill....
Meanwhile we play the waiting game....
You hedge your bets the battle lost....
Among my favourite on the whole album!
Unfortunately the chorus, mentioning the title, is much worse.
Thuuu reeeeeeeeeeed aaaand thuuu blaaaack, na naaaaaaaa naaaa na naa na naaa.
Tedious melody, and the basis for a large chunk in the instrumental part. It's as Rush's Natural Science, starting good and going downhill around halfway. :/
First part of the song (or the "vocal" part) is awesome. Guitar leads being played alongside Bruce's singing is something they never did before as far as I know and it works perfectly
What the fuck is Steve doing to that bass? 4/10 for the comedy.