Magnus
currently discounted
Damn I miss the guy...ジョンシルバーチルバー
Damn I miss the guy...ジョンシルバーチルバー
In English we have 'novels' and 'romance novels'. The latter usually deal with love, the former are a broad category of nonfiction books
Which is confusing, there's nothing 'novel' about 'Romans'. They're hackneyed, (the entire population), antiquated, and extinct.German and French refer to 'novels' as 'Romans', which is cool.
Fixed it, my bad.
In this discussion you evade the music. More on that later.[..] I'll only answer to more factual stuff on your last post.
Is that all? 2 or 3 per album? Sometimes 1 or 0? That is not many per album. That is about the same as on No Prayer (2) and FOTD (1). That is at least as many or more war songs as on/than Iron Maiden, Killers, Beast, Somewhere in Time and SSOASS.Invasion, Genghis Khan, Invaders, Run To The Hills, Where Eagles Dare, The Trooper, Sun And Steel, Aces High, 2 Minutes To Midnight, Flash Of The Blade, Alexander The Great... there are plenty IMO.
The series might be. But the song is not based on The Prisoner. My point was that it is a different series.That's precisely the series that The Prisoner is all about. So yeah... a Prisoner reprise.
Actually it is. It's simply a matter of opinion.
[..]
As for the rest, mainly music wise, it's as I said before. There's no need to repeat what has been said. You've got your opinion and I've got mine. It is what it is.
Yeah, I get a very TXF vibe from it. The type of buildup and musical atmosphere is to me, a quissential X factor feature.
My point is that it's a recurring subject during the 80's unlike many others focused in NPFTD and FOTDThat is 2 or 1 or 0 album(s) that has 1 more song on war. On the whole decade, or even 1982-1988, that is hardly a difference.
They're both about The Fugitive series (as is Back In The Village). The Prisoner was the first one to be released, so thematically it's a reprise. And there's nothing wrong with it.The series might be. But the song is not based on The Prisoner. My point was that it is a different series.
There's a reason for it. I've already talked about this album music wise and had this conversation before and don't want to repeat myself. If you wish so I'll try to find the post and copy/ paste it alongside some of your questions... but first I have to find it. Nevertheless I'll make a search for it.You are hardly talking about the "music wise". You're not reacting to the musical aspects I brought in.
They're both about The Fugitive series (as is Back In The Village). The Prisoner was the first one to be released, so thematically it's a reprise. And there's nothing wrong with it.
Thanks for this clarification. I understood it differently.My point is that it's a recurring subject during the 80's unlike many others focused in NPFTD and FOTD
Hmm, no. (See above post).They're both about The Fugitive series (as is Back In The Village). The Prisoner was the first one to be released, so thematically it's a reprise.
I'm afraid it is unavoidable to repeat certain matters at times, at least for me. When it interests me and/or when I read stuff that I do (not) agree with. On top of that, this is not only a discussion for you and me. I also want to tell (show) others how I see comparisons or differences. Some people are new here, and even if not: it is not that terrible to hear something more than once. Besides, I did not do copy paste or something, this feels pretty fresh and Iast but not least: I enjoy reading and talking about this.There's a reason for it. I've already talked about this album music wise and had this conversation before and don't want to repeat myself. If you wish so I'll try to find the post and copy/ paste it alongside some of your questions... but first I have to find it. Nevertheless I'll make a search for it.
Well... wasn't aware of that. Thanx.Let's get this straight.
The Prisoner and Back in the Village are about the series The Prisoner from 1967 starring Patrick McGoohan.
The Fugitive is about the series The Fugitive, that ran from 1963 to 1967.
We good?
I think I hear what you mean. That beginning riff: tatatatatata(etc). Indeed, these open, sort of linear chords. That is also the style of the opening in Lord of the Flies' opening riff.Yeah, listening to the live B-Side with Blaze on the vocals you'd think it was from The X Factor.
There is a lot of musical continuity between FOTD and TXF. Some examples from the top of my head: BQOBD is much closer in style to Man on the Edge than to any previous "short rocker". It's in the guitar riff and the speed and attitude of the song. The guitar intro in From Here to Eternity already foreshadows what they would do on Lord of the Flies, whereas I can't think of any previous Maiden song that does it this way (sorry, I'm not a musician, I don't know the terminology).
Also the fast midpiece in ATSS has the same sudden outburst and tempo/feel as in The Aftermath, making it a real sequel, together with the lyrical matter.Afraid to Shoot Strangers has already been covered.
May I advise you to get this:Well... wasn't aware of that. Thanx.
You'll love it! Bruce even visits the area where The Prisoner series was recorded. Also: the intro speech from the song is from The Prisoner.
This Prisoner connection is also told on 12 Wasted Years and on The Early Days. Do you know these? These are probably by far the most interesting official band history documents, along with the The History of Iron Maiden – Part 2: Live After Death.
O yes. Already visited it during a vacation in Wales in 2013. (Because of the series which we've seen as well)Portmeirion. Very beautiful place, well worth a visit!
Portmeirion Village | Holiday Resort North Wales
Portmeirion is an enchanting Italianate style village on the coast of North Wales, ideal for a day out or weekend break for families, couples and more.portmeirion.wales
The Prisoner TV series is algo worth watching.
Yup... I've seen it a long time ago. Bruce telling how he was desperate with Birch about the huge amount of times he made him repeat the title track's intro. But I must confess I don't remember The Prisoner part. Maybe because it's not one of my favorite tracks.May I advise you to get this:
View attachment 14139
Classic Albums: Iron Maiden – The Number of the Beast - Wikipedia
en.wikipedia.org
You'll love it! Bruce even visits the area where The Prisoner series was recorded. Also: the intro speech from the song is from The Prisoner.
This Prisoner connection is also told on 12 Wasted Years and on The Early Days. Do you know these? These are probably by far the most interesting official band history documents, along with the The History of Iron Maiden – Part 2: Live After Death.
Huh?? I can give you a lot of your other comments even if I disagree (the guitars sound great if you play the album on the right system and Blaze does a great job with the material IMO), but the drumming is literally one of the highlights of the album and among the best performances of Nicko’s career. So many shades are thrown in, lovely little fills, it just jams so well and I don’t understand comments on him phoning it in.Also, Nicko doesn't give a fuck and is just putting in the barest effort here.
I've played TXF on many systems over the years and it sounds bad on all of them, including my current £800 hi-fi setup.Huh?? I can give you a lot of your other comments even if I disagree (the guitars sound great if you play the album on the right system and Blaze does a great job with the material IMO), but the drumming is literally one of the highlights of the album and among the best performances of Nicko’s career. So many shades are thrown in, lovely little fills, it just jams so well and I don’t understand comments on him phoning it in.