Lampwick 43
Barstool Warrior
I fucking love The Duelists. Definitely in my top 25.
Has that perfect Dance of Death feel. Great intro and powerful lyrics, beautiful guitar melodies . Could the chorus have a bit more variety and a tad less repetition? Perhaps. But the song is so strong it's not an issue. 9/10.
I'm very surprised to see Face in the Sand and Duellists so high on this list.
No More Lies is the epitome of bang average.
I have a theory that they made this one short to compliment the lyrics. The song literally dies young. Sometimes the medium is the message.
Really good song.
This one is one that carries me away more than most songs. The chorus is great, the little bass solo in the middle is really nice and overall the song kicks more ass than any other song on this album.
This is quite a typical Maiden song with many typical elements: catchy chorus, galloping, H and Davey's guitar harmonies, and mysterious lyrics.
I'd say this is one of Maiden's best sounding choruses. Listen to the two Bruces, excellent really. What makes it even better is that in the second half of the chorus, the line "All the evil seems to live forever" is replaced by that great guitar melody
Captivating and intense, the band deliver a top notch performance that closes one of their very best albums perfectly. Considering the lyrics, it's painful to me to think about these being among their very best, and have such a steep drop on the next album. This hint of tragedy makes me appreciate this song even more.
This is an odd song to end an album on. It just doesn't feel like the typical IM album closer thus far. It feels like it belongs in the middle of the album. Nonetheless, it is a good song overall. Middle of the pack on this album
A terrific song and could have been best song on the album except for the solos. Both solos are underwhelming for me, adding zero to the song and a little too bluesy for Maiden. fantastic song otherwise
I find it a slightly disappointing finale. I don't expect the same format on every Maiden album. But this is an incredible album and it deserves an epic ending, especially as this is supposed to be a full on concept. Something with greater scope was needed to develop and finish the story I think.
My least favourite on the album. It's not a bad song, but I like the others much better. The very bluesy guitars make it different and quite interesting.
I think it's a great, song but it's not one of the best on the album. I don't really like the vocals on this track, though...sounds too 70s, and not very Maiden-like.
I'm one of those people who love this song. The atmosphere is great, it's got beautiful guitar solos and great lyrics. It's unlike any other song in the Maiden discography, yet it still has an undefinable Maiden touch to it.
Yeah, it has atmosphere.
But I have tried for years to like this song and failed.
It has consistently ranked at or near the bottom of my list and is one of the few Maiden songs I just don't like.
I don't see how anyone can call this the weakest song of the debut when songs like Charlotte the Harlot, Iron Maiden, and their absolute worst song ever Sanctuary are on it. Unless your not counting the reissue.
Definitely one of my favourites of the album.Great way to start a song with one of the best solos ever.Moody as well and melancholic.
a song i regularly skip. Ive never been a fan of the melancholy feel, it doesnt captivate me enough in its instumental or presentation to get past how sad it sounds and how i feel it lacks content.
For some reason, this reminds me of a Pink Floyd song and that's not a bad thing. The dreamworld is still going for me and i'm being lead by Eddie and his guitar. Excellent singing by Di'Anno as we complete these three excellent songs. I love when albums keep the greatness going for so many consecutive songs.
How did this song come to be? Much like Prodigal Son, of the next album, it's so very different to the rest of the content. Dave makes some gorgeous guitar work here, and whereas I never much loved the song before, I can at least enjoy that.
It's a little off kilter, though, especially the lyrical parts. Part of that is the weird way Paul sounds - muted and like he is trying too hard to sing to the music. It's just not a song I love.
This is a quality track, with killer lyrics (if a bit goofy) and a good sound. I wish it had been drawn out into a proper epic, TFF-style, with a long introduction and a better instrumental section, but I do like it how it is.
This song is amazing. The galopping rhythm kicks major obese ass and the chorus actually displays some marvelous variation of the vocals. Bruce sings high and does it pretty good too.
The midpart is the highlight of the song. First Janick's menacing attack (one of his better aggressive solos while the rhyhtm guitars are almost as slaying) and than Dave follows with his impression of Lawrence of Arabia. When you think you've reached the summum pleasure in the ears, the following harmony is even better.
Solidly good song, one of the highlights of the album for me. I also think it could have benefited from an extended instrumental section; that part before the third verse (is it still Dave's solo?) is particularly good.
Another filler from NPFTD. What a surprise.
I like this tune, although nothing about it really grabs me and shakes me. If I was pressed, I'd say Bruce's vocal and the lyrics are the high point of the song.
Amazing guitar work, but the chorus is jumbled. The verses are great, though I find the need for a quiet ending to be an odd choice.
Some great work from Steve in the verses and there's some nice melodies.
I don't share the view that the Bruce rasp is more suited here. Sounds awful in places.
The verses seem to discuss the age old argument in psychology of Nature vs. Nurture. Nature theorist claim you are born good or evil. Nurture people claim a loving family will curve the most evil of desires or a disfunctianal, abusive family would currupt the best of people. Though now most shrinks agree that we are a little bit of both. Only in rare cases does a person from the projects with a crackwhore mother and acoholic father break the cycle and end up being good doctors or counselors and someone from a "good" family end up a homless drug addict. They also discuss the pressures of society such as peer pressure to do drugs or drink alcohol before the legal age. "When a person turns to wrong is it a want to be, belong?". There seems to be a pondering on the mystery of the self "what makes a man decide between the wrong or rightous road?" What does motivate us? only we know. There is a respect for choice and individuality as they claim that we all have the right to choose the path that we want. And hence we can't blame society for we are responsible for our own actions. "we all like to put the blame/ on society these things"
Simply an amazing song. Propably one of the greatest songs ever. It just has unbelieveble feeling! Great guitar melodies and good lyrics. Great guitar solos that (as i belive) are all Dave's. Just correct if im wrong. Great album closer, great song to listen when im going to sleep, great song to listen when waching the sky and heck; great song in every possible way. I just love it.
The instrumental part is one of the greatest moments in heavy metal history. I never get tired of it, and it is simply beautiful. The lyrics are great as well. I'm not sure I am overly fond of the verses being completely done with harmonics, but once Bruce sings the chorus for the first time, this song has won.
I have never absolutely loved this song. I like it enough; it served as the introduction for a video I made back in high school. But I don't love it, either. It never grasped me very hard.
I particularly do not like the slow parts. And there are too many Dave solos, there could be more variation if all the guys had a chance to show their stuff. But the main problem for me is that a big part of the song feels like it's in the same vein. I miss some changes in atmosphere, and I miss surprises, which are necessary to make a long song epic. Instead it's rather a predictable sounding effort.
I like the high vocals that Bruce does in this song, but not a huge fan of the lower vocals (up to the 2min mark and in some other points). The slower section from about halfway mark really is great though. A great instrumental section and I quite like the latter half of the song. I can see why people says it drags on too long, and there is a lot of repetition (riffs) in the 2nd half of the song.
Bruce's vocals are the highlight of this song for me. Everything else is sort of secondary. I never liked how it just chilled out, I wish it had a more normal ending. Still, great melodies just not quite there for this to be an amazing song.
They were stuck on where to go with that part and asked for my advice, was happy to help out.@Mosh is this correct?
Very dark and heavy, Blaze's voice fits in very well with the lyrical theme. The questions asked in this song are quite interesting actually, especially if one thinks about the aftermath of WW1, when a lot of things changed in Europe.
Anyone who thinks steve harris is over rated as a lyricist needs to listen to this album. This songs lyrics are just as strong as paschendales in my opinion and you really get a sense of what it would be like to be a soldier after the battle has finished. Love the part "im just a soldier..."
This song is one of the best ones on the album. Sure, some people will say the music is slow and maybe a little less interesting; but I think it is powerful and brooding. Though it's no Sign of the Cross, it is still full of the powerful, dark regret that filled a losing soldier after the First World War; as I've said previously, Paschendale is all-but the prequel to this track.
This has grown to become my second favourite from this album. The lyrics are great, the mood of the song matches them well, and Blaze's delivery is powerful. The breakdown after the chorus, with the following buildup to the solo, is great, and the solo rocks the house down.
Janick's smokin' solo elevates this one from a lower rating. For me, Blaze's uninspiring vocal again brings down what is otherwise a good song.
Damn it this album has fantastic intros. Another amazing intro. I don't like the vocal melodies of the song (except the chorus which is great). The highlight of the song is of course the breathtaking solo.
Janick's solo on this one, is amazing, and certainly one of his (and arguably, one of Maiden's) finest. A brilliant song that might just be the best of the Blaze era.
The Aftermath’s obvious quiet intro has more structure and movement than the rest, and it is rather brief, but the song is a plodding mess. For an album leaning far into prog territory, there sure are plenty of moments where the music simply sounds empty, and The Aftermath is the worst offender. The drums, bass, and guitar play the exact same notes at the exact same rhythm during all of the verses and choruses. It sounds clunky and sonically dead, with none of the background textures that Adrian Smith is so good at injecting into songs. The section meant to be dramatic sounds very similar to the verses and does nothing to enhance the mood. Right before the song picks up Blaze sings along with the guitar melody and he’s got more than a few bum notes in there.
Look at the yearly rankings and remember it's a weighted average. The Aftermath was a song that was loved in the 00s and now is disdained, whereas Thin Line was all over the place.Also, how is The Thin Line so low? And how is The Aftermath so high?