"Elimination" has good riffs and nice bass work, but the vocals are fucking terrible, with the dude sounding like a squealing old crone half the time. The songwriting is also a bit disjointed. The solos are good and the harmonized interlude is pretty good, but this is still kind of a mess overall. "Eye Of The Witch" gets bonus points out of the gate for using synth pipe organ. I love the rhythmic change-ups in the main groove. King Diamond sounds better than usual here, hitting more of a Bee Gees vibe in his higher register. Most of the vocal lines are strong and the solos are great. A really good song overall, and a very easy call for
@Magnus's nominee.
Winner: King Diamond - "Eye Of The Witch"
"Battle Hymn" has a nice clean intro and eventually breaks into a pleasant stately groove. The vocal lines are OK. The "Kill! Kill!" bit is pretty silly, and the entire song is drenched in cheese. The clean bridge doesn't really fit the song, but it's fine, I guess. The outro is ridiculously overblown. An OK song overall. "Children Of The Sun" has a nice atmospheric intro that runs on a bit too long, but it breaks into a pleasantly thick melodic groove. The vocal melodies are good, and though the accent is pretty noticeable, it doesn't really get in the way. There are only a couple of musical ideas in this track, and they're stretched almost to the breaking point -- but it's still enjoyable for what it is, and sorry
@Perun, but I think
@____no5's nominee does just enough to eke out a win here.
Winner: Nightstalker - "Children Of The Sun"
"Over The Mountain" has a pretty good riff and pretty good vocal lines. I like the busy drumming on the pre-chorus. The chorus feels a bit wimpy, but the interlude and solo sections that follow are quite good. Rhoads' embellishments throughout the song are also nice. Didn't blow me away or anything, but this is good stuff. "Dark Art" has a wonderfully creepy piano intro that bursts into a bombastic, sinister groove. This unfortunately twists into more of a queasy robotic rhythm with weird orchestration and Cookie Monster vocals. The clean vocals are more palatable, but aren't very refined. Then we go full movie soundtrack with the Cookie Monster stuff and I almost feel like I'm listening to an Anette-era Nightwish album while someone aggressively gargles next to me. Well, that was definitely
different, but sorry
@Night Prowler, your nominee can't really compete here.
Winner: Ozzy Osbourne - "Over The Mountain"
"A Fine Day To Die" has a nice atmospheric intro with some battlefield sound effects. I really like the deeply reverbed, almost Gregorian chant-like verses here. Then we suddenly go heavy with some odd-rhythm riffage before settling into a complex groove. A scream and some trilling, and then we get a cool head-bobbing groove. Not a fan of the screamy vocals, and the song feels like it's expended all of its ideas by the five minute mark, but at least the solo is great. OK, the extended reprise of the intro is pretty cool, as is the second solo. Y'know, if the production were better, and the vocalist wasn't so screamy, and they trimmed a little fat, this would be great. But as it stands it's still very good. "Lorelei" has a nice driving melodic groove that opens up into an equally nice atmospheric verse. I don't know what's going on with the spoken word vocals for most of the verse, and the goth chorus with the low male vocals and high pixie female vocals sounded a bit icky at first, but I warmed up to it pretty quickly. Good song overall, but sorry
@MindRuler, I think the list nominee is superior here.
Winner: Bathory - "A Fine Day To Die"
"Raining Blood" starts off, not surprisingly, raining blood. Pretty dope opening riffs with some nice harmonization on the first one. I'm less enamored of the fast-paced bit before the verse, and the verse itself has typical "meh" non-melodic vocals. That first half of the riff in the break between the verses is great, as is the interlude at the halfway mark. The chorus kinda sucks, and the noise that passes for a solo fully sucks. The quick cut to rain sounds is weird, as is dragging out the rain for nearly a minute afterward. Well, that pretty much checked all the boxes for Slayer -- dope riffs, terrible solos, questionable vocals. Still pretty good overall, I suppose. "Gangland" has good energy and a solid main riff. I'm not thrilled with the singer, but he gets the job done. The vocal melodies are OK, but nothing particularly memorable. The solos are pretty sweet. A solidly good song, certainly better than the Maiden song of the same name. Slayer definitely wins the riff battle here, but sorry KiDDiesel 5.5, I think the list nominee is the better
song.
Winner: Tygers Of Pan Tang - "Gangland"
"Rainbow In The Dark" has an iconic riff + synth combo (and the riff clearly inspired Dokken's "Into The Fire"). Dio sounds fantastic here, and his vocal lines are all great. The solo's a little try-hard, but still pretty great. Obviously a great song overall. "Love Bites" is an excellent power ballad with lots of atmosphere and great vocal melodies. Love all the color work on the guitar, too. It's very sweet, but I wouldn't call it saccharine myself. Not much to fault here, really. The Def Leppard track is certainly the more polished of the two, and it feels like every second of it is necessary, while you kind of notice the repetition in the Dio song. Both tracks are worthy, but I've got to go with Leppard here.
Winner: Def Leppard - "Love Bites"