"Deliverance" follows the Opeth pattern of having fantastic instrumentalism paired with some of the most caustic, unlistenable extreme vocals out there. The clean vocal sections show how amazing this band could be if they didn't involve the Muppet Show in most of their work, but this is apparently not the one reality out of 14 million where that actually happened. Still a great song despite the Cookie Monster posturing. "Through The Eye Of Terror" certainly sounds like Motherfucking Bolt Thrower. Some very nice downtuned grooves, and the Cookie Monster vocals are more breathy here, which makes them less annoying to me. Not a fan of the potbanging section that pops up a couple of times, and the overall songwriting obviously can't compete with Opeth's here. Can't say I'm a fan of either track overall, but sorry
@DJ James, the musicianship of MrJuderGocker's nominee is on a completely different level.
Winner: Opeth - "Deliverance"
"Jesu Død" has a nice creepy black metal intro, then settles into a groove that is shockingly appealing compared to most black metal rhythms. The nonmelodic staticky vocals are less annoying than the usual Gollum fare, and actually play pretty well into the whole lo-fi aesthetic. The song doesn't go very many places and starts to feel pretty repetitive by the halfway mark, but I like those occasional cymbal hits that get thrown in there to break things up. Yeah, this song should have been half as long, but what's here is still surprisingly decent. The melancholy opening of "The Diary Of Jane" is pretty good, but the rest is a weird melange of Linkin Park, pop-punk, and hints of alt-rock. The vocal lines are good, but feel focus-grouped, and the occasional growls come off as completely disingenuous. Honestly, the Breaking Benjamin track is a better written song, and I would probably rather listen to it if forced to choose; but the Burzum track is much more unique and really exceeded my expectations, so I'm going to throw
@Magnus a bone here.
Winner: Burzum - "Jesu Død"
"The Sentinel" has an ominous intro that quickly picks up the pace with a strong verse, a great pre-chorus, and a strong chorus. I like the interesting harmony bits on the guitars throughout, and the interludes and solos are quite good. The bridge is cool too. Halford really lets loose toward the end of the song. I'm not as in love with this song as many people seem to be, but it's still very good. "Endorama" has a nice tense opening, but the barely melodic chorus vocals sound ridiculous. I like the melodic lead in the middle, but where the hell are the riffs? Yeah, sorry
@Perun, but The MisserRenterbocker's nominee takes this one easily.
Winner: Judas Priest - "The Sentinel"
"Smoke On The Water" has a simple but classic riff that settles into a nice groove. The vocal lines are pretty good. (Bruce should cover this song and replace the "some stupid with a flare gun" lyric with "some Greek cunt..."!) Very tasteful solo. The song doesn't excite me in any way, but it's consistently enjoyable. "Heavy Metal Mania" has pretty good melodies, though the weirdly phrased and half-sung delivery isn't the best. The anemic singing and slower pace also doesn't really line up with the lyrics. Sorry again,
@Perun, but this isn't much of a contest.
Winner: Deep Purple - "Smoke On The Water"
"Angel Of Death" is certainly fast and loud. That initial scream is surprisingly effeminate! I like the riffage and the little melodic guitar fills, and Araya's non-melodic delivery actually works pretty well during the verses, though the chorus feels flat. Complete garbage solos, as expected. Well, I've certainly heard worse Slayer songs than that one. "Bleed" is an apropos description of the effect this song had on my eardrums. I can appreciate the technicality of the playing, but the endless non-melodic screaming is extremely grating, and the repetitive mechanical aspects of the rhythm work also take their toll over time. I've never had a migraine headache before, but it seems like this song would be a pretty accurate musical depiction of one. The soft atmospheric interlude was very welcome, and the extended melodic lead afterward was also nice, though the persistent rhythmic throbbing underneath continued to annoy. I just don't understand how someone could look forward to sitting down to listen to this. An easy call for MagiDDos's nominee.
Winner: Slayer - "Angel Of Death"
"Freezing Moon" has an appealing intro with its ringing descending notes, but it runs on too long. It finally settles into a pretty solid groove, then abandons it for silly potbanging, and then Mumbly Gollum shows up to drag everything down even further. The slow interlude at the halfway mark is kind of nice until the vocalist shows up again. The solo's surprisingly good, but the vocals that follow are even cringier than the ones we've already heard. Despite a few bright spots, this one's pretty shit overall. "Curse Of The Pharaohs" has cool riffs and sweet fills, but King Diamond is probably the weak link here. Some of the vocal lines are strong, but others drift off or are only half sung. In my mind I can't help but compare it to Metallica's cover in their "Mercyful Fate" medley on
Garage, Inc., which shows the potential of the song with better vocals. Still, the original version of the song is more than strong enough to demolish a weak competitor. Another easy call for
@Diesel 11's nominee.
Winner: Mercyful Fate - "Curse Of The Pharaohs"