The Man of Sorrows - 6
The Man of Sorrows 10/10
I dunno, I like what you'd consider "straining". It doesn't feel like that to me, I think he's fantastic here.Bruce really strains to hit the notes in a lot of places here, which is concerning. I hope this can be chalked up to the tumor that was in his throat while he was recording, or to Shirley just not demanding enough takes to get it right. But if this is the beginning of Bruce's range starting to seriously fade, I hope the band will adjust the melodies down to accommodate this going forward so Bruce can continue to sound great.
Yeah, but you think Blaze sounds fantastic on The X Factor when he's all over the place, so that doesn't surprise me.I dunno, I like what you'd consider "straining". It doesn't feel like that to me, I think he's fantastic here.
Yeah, but you’re not a Silicon Messiah fan either, right? That album sounds fantastic vocally.Yeah, but you think Blaze sounds fantastic on The X Factor when he's all over the place, so that doesn't surprise me.
I haven't listened to that enough to render a judgment. I think I've listened to about 4 songs off of that one 1 or 2 times and wasn't grabbed enough to listen to more.Yeah, but you’re not a Silicon Messiah fan either, right? That album sounds fantastic vocally.
Well said, well said. Especially When the River suffers immensely. Brought the grade down a lot to me, but again you are mild with the ranking when it comes to that imo: you're calling out the problem but you give an 8(!) for the worst Bruce studio album recording in his career. This is really so much more unpleasant to hear than the so often criticized "rough" vocals on No Prayer and Fear of the Dark.When Bruce can't nail the note and you can hear the strain for him to just get near the note and then push really hard to slide up to the actual frequency, it's not a good sound. If it only happened once or twice on a couple of really high notes that'd be one thing, but there are whole sections of songs where he's doing this on half the notes or more. Not good.
You haven't given his solo albums a chance. You might have missed the best songs on that debut. His vocals are at least as good on the second and third album. The third is his best performance ever imo. Production wise and songwriting wise very good as well. Too little discussed on this forum unfortunately. There is too often only praise for the debut and second album.I haven't listened to that enough to render a judgment. I think I've listened to about 4 songs off of that one 1 or 2 times and wasn't grabbed enough to listen to more.
Personally, I've heard the first four and loved Silicon Messiah and Tenth Dimension upon first listen. Blood & Belief is more of a mixed bag and The Man Who Would Not Die was... iffy. Nothing was terrible though and I'm sure I'll like certain songs more upon further listens. But that being said I do think his vocals are just a tad bit better on SM and TD. He sounds awesome on every album I've heard, though; a personal favorite vocalist of mine certainly.You haven't given his solo albums a chance. You might have missed the best songs on that debut. His vocals are at least as good on the second and third album. The third is his best performance ever imo. Production wise and songwriting wise very good as well. Too little discussed on this forum unfortunately. There is too often only praise for the debut and second album.
Aside from the very opening lines, I didn't think it was that bad in that particular song. Nothing like the bridge in "Empire Of The Clouds" or the pre-chorus in "The Great Unknown", for example...Well said, well said. Especially When the River suffers immensely.