Most people don't care about lossless music.
Lossless isn't everything though, even though it's better than a data compressed file. Far from it, once you get past a certain bitrate. Nor is audio equipment. A 320 mp3 on decent studio monitors in a well treated room > Lossless with very expensive monitors in an untreated room. I love listening on headphones too though.Yeah well 'some' of us out there have audio systems that play music and don't want to listen to it through iphone tat.
Then you're clearly not the target audience for the release. I also have an audio system that plays music, and I'm currently listening to the samples through it, and it sounds just fine to me. It's not lossless, and I can hear the difference when I spin an actual CD, but it's not big enough for me, or 99% of people who buy music, to get chuffed about. It's not like Iron Maiden has destroyed copies of the CDs out there, 98 remasters or original. There's no need to get angsty.Yeah well 'some' of us out there have audio systems that play music and don't want to listen to it through iphone tat.
That's exceedingly irritating, thanks for the warning. I'll stick with the un-mastered version as well.I just listened to the AMOLAD remaster samples. It's a nice mastering job. I'll stick with the original though, but the mastering job is very well done, by the standards mastering are done nowadays.
And in the process I found some more sliiiight auto tune on Bruce's vocals.
I'll never be able to ignore it now.
Stongly recommended. It's the only truly decent-sounding version of this album.I might grab a copy of the 5.1 DVD then. Cool!
The auto tune is on the original as well. It's not added to the remaster.That's exceedingly irritating, thanks for the warning. I'll stick with the un-mastered version as well.
I hear what you're saying Cornfed. Still I think that Steve and probably some other people who are interested have wishes in relation to improvement, that are more or less independent from yours. I agree that a combination of these would be best.Right, he thinks the sound improved because the guitars are "louder" and the drums are "more substantial" (i.e., louder). To quote Ian Gillen: everything louder than everything else. And that's how the clips I sampled on iTunes sound. Now, in fairness, those quotes are referencing the debut album, and I will listen to the clips from that album more closely. The problem with that album is that it wasn't produced very well to begin with, and while it's possible the sonics could have been improved, my guess is that it will still sound poorly produced, only louder and more compressed.
Generally, better digital mastering technology should allow the instruments to sound clearer and more defined relative to one another, which would be a plus. Again, if and when we get a hi-res download of the flat (uncompressed, un-EQ'ed, un-fucked-with) transfer from the master tapes, then I'll be much more excited. That should sound even better than the old 80s CDs, which are currently still the best available digital recordings of the classic Maiden albums. However, within the last two days Pono and HDTracks have been offering a hi-res (96khz/24 bit) download of the 2015 remastered Rock in Rio, and it is discouraging. Haven't heard it yet on a decent stereo, but it sounds "brickwalled" and the metrics seem to confirm that: See here. Based on this, I'm concerned Maiden will probably screw this up even if they do make the entire catalog available for hi-res download.
Hmm. I never noticed it on the original. I'll have to take a closer listen. There are a few places on TFF (MoM and Talisman) where it's very apparent, that's the only time it's jumped out at me.The auto tune is on the original as well. It's not added to the remaster.