MrKnickerbocker
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I think Side 2 is better than you think. "Rock It" is a straightforward rocker with a wicked (but short) Brian May guitar solo and a very cool introductory passage. "Suicide" is my least favorite track on the album, because I don't love rockabilly, but they pull it off well and give it the kind of weird twist that made Queen so unique. "Sail Away Sweet Sister" is great, as you note, and I happen to think "Coming Soon" is solid: another rocker with a soaring chorus that tests Freddie's range. And "Save Me" is the best song on the album, and in my view, the third-best song Queen ever recorded, behind only "It's Late" and "Bohemian Rhapsody" -- it is a gorgeous, perfectly constructed track that rocks, with a truly great guitar solo. As they often did, they recognized a new trend in music -- the power ballad -- gave it a go, and in so doing damn near topped them all.
I like Save Me, but I guess I haven't heard it enough to love it yet. Rock It and Coming Soon just sound like complete filler to me, especially the former. The lyrics are ridiculous and stock. Suicide is a terrible track.
Much of The Game is something like a compendium of rock history from the 1950s through the 1970s. Since a lot of it explores the early history of rock in tracks like Crazy Little Thing (rock 'n' roll), Suicide (rockabilly) and Need Your Loving Tonight (60's rock) that mostly happened in America, it's no surprise to me that it is by far their most successful album there. Personally, I think it's their most diverse album musically, for better or worse. But I think it displays many of the daring artistic steps that made them stay relevant in the eighties, even if to some people, it meant selling out.
I definitely agree that it feels adventurous. The range of styles is impressive. Unfortunately, I don't think the songs are all that good. The great songs are great, the rest is pretty poor. I appreciate that they went out on a limb, and The Game is a pretty good album, but some of those diverse experiments did not work out.