mihai
The Prisoner
Overall sound seems to be improving big time on this tour, especially drums.
Sounds massive. Thanks for this!
Overall sound seems to be improving big time on this tour, especially drums.
Solo proper starts at ~02:36 (not "2:15") and sounds pretty like the album version.The only letdown I'm seeing so far from these vids is Adrian's playing The Wicker Man solo the laziest it's ever been. Solo at 2:15
I understand it gives that impression because it is one of Maiden's most talked about and recognizable songs, but it's hardly a regular (actually, it has only been played in 5 tours total, including the Legacy of the Beast Tour). Before the Ed Hunter Tour in 1999, it had only been played in the World Slavery Tour '84/'85, and after that it never appeared again until the Somewhere Back In Time World Tour in '08/'09, and after that it only came back for the Maiden England Tour. So yeah, it's not as overplayed as it appears to be.Aces high
For example, it would be great if "Caught somewhere in time" was the opener, with Blade Runner intro... But now I'm sure that it's never going to happen. There is obviously something wrong with SiT album so they are constantly ignoring it (don't believe that the songs are too complex for their age, because Sign of the cross is among hardest ones in Maiden catalogue).
Also, there could have been space for some shorter songs from new era (Different world, Out of the silent planet...).
And I know many, many people that want to hear FTGGOG live, myself including. In 2007 I had to sell my ticket thanks to my work.Decent set list. I don't care for FTGGOG at all and hope it gets dropped asap. Two of RTTH, NOTB, FOTD and HBTN should have been dropped imo.
And yet Kevin Shirley is they producer. Mind blowing.Live production of that album can't be replicated and that was learned in 1986. They don't like how it sounds live. Steve loves the album, just not the way it sounds live. They admit they have live recordings from that tour but I think they're embarrassed by the way it sounds.
I would accept that argument if album tours featured just songs from the newest album. "The Trooper", for example, appears everywhere, including album tours, which makes it much more overplayed than "Aces High". "The Evil That Men Do" has appeared in more tours than "Aces High", and no one's talking about that.But from a history tours perspective it's basically been on the last two. So it's not a very imaginative opener in that respect.
I might be alone in this, but I enjoy his production job on Maiden's albums. Brave New World sounds very fresh, crisp and clear, and the drum sound in A Matter of Life and Death might be the best drum sound in any album I've ever heard. The Dance of Death production has grown on me and now it doesn't bother me at all, and The Final Frontier and The Book of Souls aren't bad either.And yet Kevin Shirley is they producer. Mind blowing.
AMOLAD was great, no argue in that but other albums... I’m big fan of music and direction that band took with them but not the sound. It’s matter of taste but I love production on first albums and music from post reunion eraI might be alone in this, but I enjoy his production job on Maiden's albums. Brave New World sounds very fresh, crisp and clear, and the drum sound in A Matter of Life and Death might be the best drum sound in any album I've ever heard. The Dance of Death production has grown on me and now it doesn't bother me at all, and The Final Frontier and The Book of Souls aren't bad either.