Iron Maiden News, Links, and Interviews


New interview with Steve:
I think some of the best songs I've written were on those two albums (Blaze albums). And I always said at the time - and it's been proved to a certain degree later - that people would go back and revisit those albums appreciate them a lot more.
That was a challenge. Those were tough times. I just sort of locked myself away and just got stuck in and got on with it. We were under pressure, so we had to really stick together. And the fans that stuck with us, the ones who came to the shows, were hardcore.

A lot of the stuff we've done recently takes a lot more listening. It's not instant. But then some of that stuff lives with you for longer. Well, that’s what I like to believe, anyway. It can be a little taxing on the audience when we play those songs live. But when you make a new album you’ve got to be proud of it and go out and promote it, not just for the sake of it, but because if it's strong enough it will stand up.

There’s always gonna be people who go back to the old stuff. If you grew up with the first album, that's probably your favourite album, or one of them, and then people get into certain albums along along the way. Usually their favourite album is what they they first got into.

Would we want to regurgitate what we did back then? No. Why would you? We’re different people now. It's not like we couldn't write like the first album again. We wouldn’t want to.

I think we’ve done a lot of strong stuff recently, but it’s different - although it always sounds like Maiden. I thought it was good to have different input from different writers, because I think I've got quite a stylised way of writing. And if the other stuff that they're coming in with is really good and takes us in different direction, then all well and good. But you can't really analyse it too much. We don't write in advance, we just get together and beaver away. And it is what it is. Basically, when we all get together and we work on new material, it's a statement of where we are at the time. It could be pretty different, but it still sounds like Maiden. We have such an identifiable sound, I think, but it’s not like we've set out to be something different.

Regarding future plans, he said:

We don't really think about what we're going to do next, because we don’t know what we’re gonna do next. | What an answer... I'm sure they are thinking already.

I suppose at that time I was thinking, well, I just don't know what else we're going to do in the future. I just thought: I’m gonna throw everything bar the kitchen sink in there with those four songs I did on my own. When we did those songs, It was pretty obvious - to me anyway - that Hell On Earth was going to be the last song on the album. It just felt right to be the last song.

^Curious and surprising, so maybe the current tour is a quick idea.
 
Thanks for sharing that interview! Glad he's finally talking to press again. Was super weird when Senjutsu released and Steve hid from everyone.

That said, I don't believe the "we aren't thinking about the future". They clearly plan multiple years ahead. He just can't say that as to not spoil future plans. Makes sense, he has a part to play after all.
 
I don’t believe Steve’s statement.
Does he perhaps want to appear mysterious and then surprise us?
Tours, for example, are planned and organized so long in advance. You have to have an idea of where you want to perform a year and a half in advance and start preparing. It's getting crazier and crazier with these timelines.
Steve doesn't really think he can decide the future on the spur of the moment.
 
Leppard wrote/write a lot of love songs. They're also better looking. I'm pretty sure that's it.
Interestingly, Andy Taylor (Maiden’s finance guy, not the Duran Duran guitarist) mentioned something about having the choice of working for Maiden or Leppard.

Seemed pretty chuffed over the long term ROI of Maiden. Chuffed indeed. NPV much more favorable and a balance sheet one can hardly sneeze all over.

Can’t remember the documentary that interview was from. Maybe Flight 666?
 

New interview with Steve:
I think some of the best songs I've written were on those two albums (Blaze albums). And I always said at the time - and it's been proved to a certain degree later - that people would go back and revisit those albums appreciate them a lot more.
That was a challenge. Those were tough times. I just sort of locked myself away and just got stuck in and got on with it. We were under pressure, so we had to really stick together. And the fans that stuck with us, the ones who came to the shows, were hardcore.

A lot of the stuff we've done recently takes a lot more listening. It's not instant. But then some of that stuff lives with you for longer. Well, that’s what I like to believe, anyway. It can be a little taxing on the audience when we play those songs live. But when you make a new album you’ve got to be proud of it and go out and promote it, not just for the sake of it, but because if it's strong enough it will stand up.

There’s always gonna be people who go back to the old stuff. If you grew up with the first album, that's probably your favourite album, or one of them, and then people get into certain albums along along the way. Usually their favourite album is what they they first got into.

Would we want to regurgitate what we did back then? No. Why would you? We’re different people now. It's not like we couldn't write like the first album again. We wouldn’t want to.

I think we’ve done a lot of strong stuff recently, but it’s different - although it always sounds like Maiden. I thought it was good to have different input from different writers, because I think I've got quite a stylised way of writing. And if the other stuff that they're coming in with is really good and takes us in different direction, then all well and good. But you can't really analyse it too much. We don't write in advance, we just get together and beaver away. And it is what it is. Basically, when we all get together and we work on new material, it's a statement of where we are at the time. It could be pretty different, but it still sounds like Maiden. We have such an identifiable sound, I think, but it’s not like we've set out to be something different.

Regarding future plans, he said:

We don't really think about what we're going to do next, because we don’t know what we’re gonna do next. | What an answer... I'm sure they are thinking already.

I suppose at that time I was thinking, well, I just don't know what else we're going to do in the future. I just thought: I’m gonna throw everything bar the kitchen sink in there with those four songs I did on my own. When we did those songs, It was pretty obvious - to me anyway - that Hell On Earth was going to be the last song on the album. It just felt right to be the last song.

^Curious and surprising, so maybe the current tour is a quick idea.

Nice interview. Thanks for sharing! Very nice to see Harris talking about Senjutsu.
 
Interestingly, Andy Taylor (Maiden’s finance guy, not the Duran Duran guitarist) mentioned something about having the choice of working for Maiden or Leppard.

Seemed pretty chuffed over the long term ROI of Maiden. Chuffed indeed. NPV much more favorable and a balance sheet one can hardly sneeze all over.

Can’t remember the documentary that interview was from. Maybe Flight 666?
It's from Early Days pt1. And he said that because he was being interviewed for a Maiden doc.

Long term it was the smart decision given Maiden outperform Lep in almost every market. However he was probably kicking himself sometime around 1987/8 when they were selling quadrillions more albums than Maiden.
 

New interview with Steve:
I think some of the best songs I've written were on those two albums (Blaze albums). And I always said at the time - and it's been proved to a certain degree later - that people would go back and revisit those albums appreciate them a lot more.
That was a challenge. Those were tough times. I just sort of locked myself away and just got stuck in and got on with it. We were under pressure, so we had to really stick together. And the fans that stuck with us, the ones who came to the shows, were hardcore.

A lot of the stuff we've done recently takes a lot more listening. It's not instant. But then some of that stuff lives with you for longer. Well, that’s what I like to believe, anyway. It can be a little taxing on the audience when we play those songs live. But when you make a new album you’ve got to be proud of it and go out and promote it, not just for the sake of it, but because if it's strong enough it will stand up.

There’s always gonna be people who go back to the old stuff. If you grew up with the first album, that's probably your favourite album, or one of them, and then people get into certain albums along along the way. Usually their favourite album is what they they first got into.

Would we want to regurgitate what we did back then? No. Why would you? We’re different people now. It's not like we couldn't write like the first album again. We wouldn’t want to.

I think we’ve done a lot of strong stuff recently, but it’s different - although it always sounds like Maiden. I thought it was good to have different input from different writers, because I think I've got quite a stylised way of writing. And if the other stuff that they're coming in with is really good and takes us in different direction, then all well and good. But you can't really analyse it too much. We don't write in advance, we just get together and beaver away. And it is what it is. Basically, when we all get together and we work on new material, it's a statement of where we are at the time. It could be pretty different, but it still sounds like Maiden. We have such an identifiable sound, I think, but it’s not like we've set out to be something different.

Regarding future plans, he said:

We don't really think about what we're going to do next, because we don’t know what we’re gonna do next. | What an answer... I'm sure they are thinking already.

I suppose at that time I was thinking, well, I just don't know what else we're going to do in the future. I just thought: I’m gonna throw everything bar the kitchen sink in there with those four songs I did on my own. When we did those songs, It was pretty obvious - to me anyway - that Hell On Earth was going to be the last song on the album. It just felt right to be the last song.

^Curious and surprising, so maybe the current tour is a quick idea.
2025 2026 tour. And thats what their are doing.
Next is check if they all can find time for an album.

they have done legacy 3 years 1 with senjutsu
Then join senjutsu and caught somewhere in time a bit of greatest hits again and deep cuts and album tour
And now 2 years again of classics (legacy for me its the same as this one).
So next move if they dont want to quit is new album. And im sure steve and bruce want i think they both tought about recording and album right after finishing senjutsu
 
It's from Early Days pt1. And he said that because he was being interviewed for a Maiden doc.

Long term it was the smart decision given Maiden outperform Lep in almost every market. However he was probably kicking himself sometime around 1987/8 when they were selling quadrillions more albums than Maiden.
I’m sure Andy is smart enough to take the long view of Maiden’s Value Index and understood that Leppard’s late 80s popularity spike was an outlier and not a statistical trend.

Has to do with the time value of money versus discount rates to adjust for inflation.

Thanks for pointing to the correct interview. I’ve watched so many Maiden docs that they’re all a blur to me now.
 
It's from Early Days pt1. And he said that because he was being interviewed for a Maiden doc.

Long term it was the smart decision given Maiden outperform Lep in almost every market. However he was probably kicking himself sometime around 1987/8 when they were selling quadrillions more albums than Maiden.
Wasn't that someone from EMI, not Andy Taylor?
 
Isn't it this guy you are talking about, at 35:09


Brian Shepherd
You are right. That is almost verbatim the statement, yet in my recollection, I picture it was Andy Taylor saying that.

Total Mandella effect. My understanding of the universe is now in question.

Excuse me whilst I have an existential panic attack . . . is anything real?
 
Currently going through the World Slavery bootlegs, particularly the US shows. For some reason Bruce had this shtick, where he'd call out one member in the audience saying he's the ugliest man he's ever seen and picking on that random dude. He also had this "cute" story when introducing the band members, about Nicko being so ugly that he had to wear a mask because no one would be able to survive the view. Said "mask" being Nicko's actual face.

Had to think of that lol
Are there actually some good quality World Slavery bootlegs, perhaps even soundboard? Never heard ANY good 1984/85 bootleg.
 
Thanks for sharing that interview! Glad he's finally talking to press again. Was super weird when Senjutsu released and Steve hid from everyone.
That said, I don't believe the "we aren't thinking about the future". They clearly plan multiple years ahead. He just can't say that as to not spoil future plans. Makes sense, he has a part to play after all.
Agreed with both (I still want to hear stories about the SJ songs). Maybe Steve's secrecy (as usual with Maiden) is a sign that the next step is a new album, although he openly talked about it in 2018. It's logical. Let's hope so. They can find time if they want to. Maybe they're deciding whether or not Nicko will play. Btw, I agree with all of Steve's comments.
 
Are there actually some good quality World Slavery bootlegs, perhaps even soundboard? Never heard ANY good 1984/85 bootleg.
Quality wise? Most I've heard so far were audience recordings. Some were really rough, others pretty good for those standards. You get used to the sound quality, but if you just listened to an official (live) album or a great soundboard recording you'll immediately hear the inferior quality.

Performance wise? They are aaaaall over the place. Some have obvious mistakes from the band, others have Bruce with some questionable choices for vocal lines. There are even some where he did, what he did recently on the RFYL tour when he was sick, where he altered the lines and sang some of the lower harmonies instead of going for the soaring vocals.

One thing I really liked, which he stopped doing halfway through the tour: On the chorus of Aces High, he'd start out at the high B4s (the note in the verses for The Trooper and Hallowed), then work his way down and then going up again line by line. I'm not a fan of that song live, but this was a really cool choice.

It's also interesting seeing how some of his ideas were evolving over the tour. We all know the three "whoah"s in the beginning of The Trooper on Live After Death, right? He did a variety of things on previous concerts, but as we get closer to the Long Beach concerts he had solodified this idea. Same with some stuff on Revelations. It's pretty interesting in hindsight.

Though I'm really glad that he stopped doing his "Gimme an I, Gimme an R [...] What's that spell? The IRON MAIDEN" shtick that he did for the first half of the tour.
 
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Quality wise? Most I've heard so far were audience recordings. Some were really rough, others pretty good for those standards. You get used to the sound quality, but if you just listened to an official (live) album or a great soundboard recording you'll immediately hear the inferior quality.

Performance wise? They are aaaaall over the place. Some have obvious mistakes from the band, others have Bruce with some questionable choices for vocal lines. There are even some where he did, what he did recently on the RFYL tour when he was sick, where he altered the lines and sang some of the lower harmonies instead of going for the soaring vocals.

One thing I really liked, which he stopped doing halfway through the tour: On the chorus of Aces High, he'd start out at the high B4s (the note in the verses for The Trooper and Hallowed), then work his way down and then going up again line by line. I'm not a fan of that song live, but this was a really cool choice.

It's also interesting seeing how some of his ideas were evolving over the tour. We all know the three "whoah"s in the beginning of The Trooper on Live After Death, right? He did a variety of things on previous concerts, but as we get closer to the Long Beach concerts he had solodified this idea. Same with some stuff on Revelations. It's pretty interesting in hindsight.

Though I'm really glad that he stopped doing his "Gimme an I, Gimme an R [...] What's that spell? The IRON MAIDEN" shtick that he did for the first half of the tour.
And is there actually existing ANY video bootleg from 1984/85? Every tour has its video bootlegs, but I dont know ANY from that tour.
 
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