That's pretty cool! Have a blast!Οι Ashes Of Ares του Matt Barlow για πρώτη φορά στην Ελλάδα
Για δύο συναυλίες με έντονη γεύση από Iced Earthwww-rocking-gr.translate.goog
I just bought the ticket for this. I thought I'll never get to hear Barlow singing Iced Earth songs live... This is a dream come true.
Schaffer will still get royalty payments for the live performance. But yes, he will get less money than if you actually went to see him perform.Seems kinda lame in the grand scheme of things, but damned if it ain't 1,000x better than giving money to Jon Schaffer.
I'm 99.9% sure that is not how that works, unless Greece has specific laws as such.Schaffer will still get royalty payments for the live performance. But yes, he will get less money than if you actually went to see him perform.
How does that work?Schaffer will still get royalty payments for the live performance.
How does that work?
I'm 99.9% sure that is not how that works, unless Greece has specific laws as such.
Ashes of Ares will be playing covers. They won't send money to Schaffer simply because they performed those songs live. I play in a cover band, we don't pay Jimmy Eat World every time we play The Middle.
How does that work?
In America, various licensing agencies represent "all artists" and require venues to pay them for live performance rights to their catalogue. ASCAP, BMI, and SESAC are the big ones and generally work as an umbrella license for any venue wishing to have bands perform cover songs. These are usually monthly or annual fees that cover the entire range of works. If a specific musical artist is not part of those organizations, then technically their music should not be performed live by another artist, but there are so many bars and clubs and venues that it's kind of impossible to enforce.Don't know how is it in general and especially in America, but here indeed you are obliged to pay for copyright if you use someone's work, even as a cover.
I'd guess this would be more of a thing across the EU, because the tendency in copyright law seems to converge in general.
Considering the fact the copyright in the US is even more insane than in Europe (see all the bullshit about YouTube takedowns, strikes and such) I wouldn't be past thinking there might be something similar.
(That said, not everywhere it's probably as ridiculous as here, with a state-sanctioned outright mob of "elder musicians" who are acting "on behalf of the artists" and more or less function as a shakedown of everyone who doesn't have such a political pull as they do.
Fun fact, YOU ARE ALSO A PART OF THIS, meaning you as an author are represented by them, meaning they can cash you for your own work, unless you jump through some hoops and check out of that. And other stuff)
Remember: copyright is insane, philosophically dubious at best and legally implemented in the worst way possible.
"You wouldn't steal a car", right?
Ellefson is being quite a bit disingenuous here, though. It's not like the band is submitting setlists back to the club, who then send a list of songs performed to BMI, who then specifically pays Dave Mustaine. If anything, Dave Mustaine is making $.0000000000000001 for the entirety of the Kings of Thrash Tour.David Ellefson also talks about this with his Kings Of Thrash tour -- Dave Mustaine gets paid royalties for every show they do, because they're technically performing covers of Megadeth songs where Mustaine owns at least a piece of the publishing. The venues pay the performing rights organizations, who then pay the rights holders.
Ellefson is being quite a bit disingenuous here, though. It's not like the band is submitting setlists back to the club, who then send a list of songs performed to BMI, who then specifically pays Dave Mustaine. If anything, Dave Mustaine is making $.0000000000000001 for the entirety of the Kings of Thrash Tour.
As far as I remember from a 3 hour lecture on music business law, the promotor must report the setlist, but I am drawing upon 12 year old shards of recollections here.Ellefson is being quite a bit disingenuous here, though. It's not like the band is submitting setlists back to the club, who then send a list of songs performed to BMI, who then specifically pays Dave Mustaine. If anything, Dave Mustaine is making $.0000000000000001 for the entirety of the Kings of Thrash Tour.
From that same article:How do song royalties for live performances work? - Marketplace
Artists will often perform covers of other musicians’ songs. A look at the rules that govern who gets paid.www.marketplace.org
"Plumb said that on the low end of the spectrum, a $2 to $10 royalty per song is common for smaller venue performances. But in the summer arena tour example, Plumb said he was looking at hundreds of dollars per performance, adding up to around $5,000 for the entire tour."
Though that may be the requirement, it's certainly not upheld. I've played hundreds of shows across the country. I've never once been asked for a setlist, nor seen a single member of the booking staff or ownership paying any attention to what I was playing.As far as I remember from a 3 hour lecture on music business law, the promotor must report the setlist, but I am drawing upon 12 year old shards of recollections here.
Right, but do you think there's any chance in hell that Mustaine hasn't had his people submit the setlist to get all the Kings Of Thrash royalty money...?“Most of the [performing-rights organizations] have a mechanism where artists can go in and enter their playlists, wherever they’ve been touring from, and the [PROs] come up with some kind of calculation and pay them a royalty,” Parks said. “But that’s up to the artist to manually enter that data.”
Truth. And I'm sure Schaffer will do the same.Right, but do you think there's any chance in hell that Mustaine hasn't had his people submit the setlist to get all the Kings Of Thrash royalty money...?
Although if Jon somehow avoids a long prison sentence, pretty sure he'd be able to have a career in Greece still