Clue 1: This song can be described as a combination of two other Maiden songs in terms of theme, but also the mood of the lyrics.
Clue 2: The song points to a location within which one can find a place with the same name as a studio facility used by Maiden.
Clue 3: To elaborate on clue one: Also the overall idea of the lyrics clearly relates to a sort of reappearance.
Clue 4: Parts of the lyrics are without a distinct narrator, but the chorus of the song is narrated in the first-person singular. Yet another section of the lyrics applies the first-person plural point of view.
Clue 5: A famous, wall-mounted message is quoted in the song, although not verbatim. The message also has a link to one of the songs in clue 1.
Clue 6: The opening line contains a phrase that can refer to guzzling a specific type of liquor.
Clue 7: The song can be heard with different endings.
Clue 8: The song contains a word that came into sommon use during the first World War, after an article written by a London-born scientist. By WW2 the British Army had stopped using the word because of its inaccuracy, and the condition the word refers to currently goes under another name. But the original term had already been well established in the English language, and found its way into this Maiden song.
Clue 9:
Clue 10: The song does not apear on a Maiden single. To elaborate a bit on clue 9: The link to the Maiden song is to be found via clue 2.
Incorrect guesses: Judgment of Heaven, Charlotte the Harlot, Don't Look to the Eyes of a Stranger, Journeyman, The Clairvoyant, Be Quick or be Dead, The Apparition, Deja Vu, The Reincarnation of Benjamin Breeg, Infinite Dreams, The Thin Line Between Love and Hate, The Prophecy, 22 Acacia Avenue, Out of the Silent Planet, The Trooper, Hooks In You, New Frontier, Running Free, Stranger in a Strange Land, Paschendale, The Aftermath