This is a very easy round with the exception of the final match.
Hadn’t spent much time with this Halford album before, and it’s very solid with a number of great parts. I knew this was a Roy Z. collaboration, and it has Roy’s trademarks all over it, but with a punchier Priest-like attack on the riffs. Lots of good stuff here, though “Hell’s Last Survivor” and the title track really stood out to me on first listen. “Cyber World” is pretty cringey, and can go in the infamous “subject matter people should probably avoid” bucket along with Rush’s “Virtuality”. The duet with Bruce on “The One You Love To Hate” was unfortunately nothing special, and didn’t offer much separation between their voices or anything too interesting going on, but it’s not bad. Meanwhile, this Bathory album has pretty cool riffage and songwriting, but bad production, bad vocals, and not very good soloing. So, sorry
@Magnus, but I have to go with mcYambox’s nominee here.
Winner: Halford
Hmm...a consistently great Tool album vs. what I can only charitably call the least annoying shouty Pantera album. An easy win for Midwicht 2112’s choice.
Winner: Tool
Angel Dust wasn’t the album I was expecting after
The Real Thing, and I didn’t take to most of it right away; but once I let it sink in I really appreciated its variety, and Patton sounded much better singing in his natural register. Some of this stuff is absolutely bonkers, like “Be Aggressive” melding pipe organ, cheerleader chants, and wah-laden funk with completely filthy lyrics, or the country-twinged stream-of-consciousness rant “RV”; but there’s also much more digestible material like “Land Of Sunshine”, “Midlife Crisis”, and “A Small Victory”. This is arguably Faith No More’s best album (though I’m slightly more partial to
King For A Day...), and I’m glad it was nominated. Compared to a very uneven early Helloween album, there’s not much to think about here. Sorry, Kolostata, but srfmatic92’s nominee takes this one.
Winner: Faith No More
This last match is rough, as both albums are great. This Scorpions album has amazing, all-time classic riffs and vocal lines on display in seminal songs like “Rock You Like A Hurricane” and “Big City Nights”, and a legitimate contender for all-time greatest metal ballad in “Still Loving You”. But the deep cuts are no slouches either — the rifftastic “Bad Boys Running Wild” and “Coming Home”, the sweet vocal harmonies of “I’m Leaving You” and “As Soon As The Good Times Roll”, and the epic and melancholy “Crossfire”. When the weakest song on the record is the punchy, driving “Same Thrill”, you know you’ve got a great album on your hands. Meanwhile, this Symphony X album has a lot of great instrumental work and intricate songwriting, and it certainly deserves to be here. I’ve voted for it myself many times. But even ignoring own-nominee bias, I find the Scorpions album to be more viscerally appealing to me — it’s more natural and gut level than the very cerebral and calculated approach of Symphony X, but it achieves that while still being consistently impressive musically. And for that reason I must say sorry to
@Lampwick 43, but Fotober’s choice comes out on top here.
Winner: Scorpions