Yes, every song should be great, but to me the album doesn't need a certain mood and/or atmosphere. I would maybe say, in lack of better term, it should have consistency.
Now that I’m thinking more of it, I’ve never encountered an album where I think the songs don’t all have that consistency of style / mood / atmosphere that I was thinking of when I wrote that. I should’ve said it has a style / mood / atmosphere that I
love. With
Powerslave it’s the bright pedal-to-the-medal vibes, and with
The X Factor it’s the dark and brooding inner look aspect. With the first
Bat Out Of Hell, it’s like driving in an old Buick and getting lost in the excitement; with the second, it’s like being in a castle made entirely of speakers and blasting that album from all of them. And so forth.
One thing that just struck me was how some compilations actually work in the way I’m talking about too. It might have to do with experiencing them at a younger age, but there’s something to be said about compiling ABBA’s biggest hits on
Gold, and taking the listener on a chronological journey through The Beatles’
Red and
Blue Albums. In particular,
The Blue Album is linked to the Christmas where I got it, my first (and still current!) CD player, and several classic illustrated novels. So whenever I hear it, I’m essentially hearing part of
A Tale Of Two Cities and part of Christmas memories too. I dunno if this has anything to do with the topic at hand at this point but figured I’d throw it out there.
I'm going to mention TFF again and also say something about skipping songs. It's been 10 years since it came out and when it did, I've binged on it for months. At least once a year I return to it and if my last.fm profile doesn't lie, I have around 600 scrobbles (which means around 60 spins just on PC). Adding all the times on MP3 player and in my car, I'd say I definitely spin/span/spun (?) TFF around 100 times. At some point, I realised The Man Who Would Be King doesn't do anything for me and I rather play When The Wild Wind Blows twice. So yeah, I skip.
I'm not doing that for the albums I haven't listened in a long time or when I'm listening to something new. But those I know well - I skip some and hear something new or something that I enjoy rather than "giving a chance" to a song that last 20 times I've heard didn't do anything for me. Of course, it also varies on the situation: if it's in background while I'm working, I just let the album go. In the car, I push that skip button like there's no tomorrow.
To me it’s really just simply... once it’s part of an album, it’s part of an album, and changing things to that album bothers me. The version of
Horror Show that I own takes “Transylvania” and moves it from track 8 to track 11. I’ve gotten so used to going into it right after “Dragon’s Child” that it’s hard to hear “Frankenstein” instead. Restructuring a tracklist to me is something the listener should do, not the artist, unless you’re Kanye West changing
Life Of Pablo for the zillionth time. Sometimes I’ll go, huh, what if this album included the b-sides too? And I’ll put it together and listen to it, but it doesn’t replace the original.
Also this is random but one thing that will always bother me about owning
The Chemical Wedding on vinyl... I think it’s no secret that it’s my favorite album. Like, I do have a handful of records I consider perfect because they fit my shifting moods of what I want from an album experience. But if I’m going by what
@Dityn DJ James said above (which I recognize for him but I just don’t have that same experience in my own life, and I’m a really critical over thinker, too), then TCW is really the
most perfect album to me. Everything about it, everything, right down to the most minuscule of details, is just perfectly crafted to my ears. All of it essential, all of it expertly designed, including the last two minutes of silence before the final spoken word piece after “The Alchemist”. It’s a moment to take in what you just heard and then when the other comes you can laugh about it and the whole experience and ugh, it’s hard not to get so passionate about this because it just... it’s something from music I didn’t ever expect to experience the way I do, but I do.
Anyway, that brings me to my point, and maybe someone can help me out with this. Why didn’t they include the final three minutes at the end? They split the thing up into two records, surely they had time to include that at the end? It just makes the album so incomplete to me.
/endrant