This My Dying Bride album has a lot of elements that I would normally enjoy — atmospheric soundscapes, violin, mostly clean vocals. But it brings in unnecessary growling too often, and the songs just plod and plod. Parts of every song are cool, but things just drone and meander and repeat, and then the growly shit comes in and I have a very difficult time continuing to care about what I’m listening to. In fairness, I haven’t liked very much doom metal in general — Fvneral Fvkk’s
Carnal Confessions and Sorcerer’s
The Crowning Of The Fire King are the only ones that have really clicked with me so far — so I’m not too surprised by my response. The Power Trip album has bad vocals, but at least the music consistently holds my interest. So, sorry karljagnus, but I have to go with
@Whooten ’s choice here.
Winner: Power Trip
Alter Bridge is hit and miss for me. I like a lot of what they do with the heavy riffs and mildly progressive bits and anthemic songwriting, but there’s something about the choices Myles Kennedy makes with the melodic lines in his vocals that doesn’t always work for me. That said, this album is pretty strong, and has some great tracks like “Isolation” and “Fallout”, and I should probably spend some more time with it. Meanwhile, we have Atlantean Kodex again, who offer epic songwriting aspirations without the technical follow-through, and who have lasted way longer in this game than they’ve had any right to, due to mostly weak competition. Sorry,
@Perun, but I’d rather go with
@The Dissident ’s nominee this time.
Winner: Alter Bridge
More Anthrax. These guys almost always come off like a B-list band to me, so I don’t know why they’re often venerated at the level of a Metallica or Megadeth. The singer isn’t very good, often getting near the note but not on it, and he just sounds amateurish most of the time. The thrash riffage is usually solid and occasionally cool, but the songwriting fails to impress. I wouldn’t turn this off if someone else turned it on, but I’d never put it on myself. Compare that to the first Megadeth album, where Dave is also a weak vocalist, but at least he has some snarly charisma — and listen to the guitar licks and songwriting on tracks like “The Skull Beneath The Skin”, “Chosen Ones”, “Looking Down The Cross”, and more, and it’s pretty clear who’s the real deal in this match-up. Sorry, Travis The Darljant, but the list entry is the superior one here.
Winner: Megadeth
This last match is the most interesting one of the round. Both albums are from artisans who lurk at the fringes of the mainstream and have very recognizable sounds. Both bands are prone to musical excess and have both rabid fans and vocal detractors. The Devin Townsend album has that rich, booming, layered white noisy sound that’s one of his trademarks, and it flirts with pop, industrial, and metal sounds throughout. The Tool album has that hypnotic, progressive, meandering, distant-vocalled vibe that they’re known for, and it even has an easter egg extra track that you create by laying one track over two of the others, which is undeniably cool. Both albums are strong, and I would be fine with either one advancing — but in the end I think the Devin Townsend album is a little more uneven than the Tool album. So, sorry Shmatic22likipod, but I’m going with
@Spambot ‘s choice on this one.
Winner: Tool