Yeah, I liked that album a lot, and I still bust it out from time to time. I remember the early demos they posted online for "When You Bleed" and "The Evil That You Are" had just badass, rip-roaring Dokken vibes, but the final album versions didn't have the same amount of life to them. Still really strong overall, though.Thanks for the info. Listened to that album a few years ago, and I will check it out again now.
I remember that Lynch tried some more modern sounding metal riffs and effects on that album, while also it had some traditional stuff.
DON DOKKEN Is 'Very Proud' Of Upcoming DOKKEN Album 'Heaven Comes Down'
In a new interview with Tulsa Music Stream, Don Dokken spoke about DOKKEN's long-awaited new studio album, "Heaven Comes Down", which will arrive in September. The follow-up to 2012's "Broken Bones" will include a song called "Fugitive From Life", for which DOKKEN recently filmed a music video...blabbermouth.net
An odd Maiden-related quote from this piece:
Regarding the experience of working with Shirley for the first time, Don said: "Kevin Shirley is an amazing engineer. When he first started mixing the record, I was really disappointed. He gave me the first song and I went, 'This sounds like '80s.' And he goes, 'Well, I thought that's what you were going for.' And I said, 'That ship has sailed, man. I want a modern record — punchy, aggressive, in your face. I don't want a bunch of reverb, I don't want a bunch of echo. I don't want a bunch of production — just harmonies I want still.' So he goes, 'Oh, okay, I get it.' I said, 'Look, I just heard the IRON MAIDEN album. That thing kicks ass. Just go that direction.' So he did."
Weird video. And Don's voice sounds completely busted and propped up by studio gimmicks to me, though the end result isn't awful. But it's painful to think about Jon Levin claiming that Don was "totally nailing it" in the studio.
The song itself is fine. Some nice guitar bits, some nice melodic bits, though nothing particularly great IMO.