Reading back though this, I was inspired by
@Diesel 11 's idea for a 21st century companion to RFYL. As such, here's my take on . . .
Your Time Will Come tour 202X
- If Eternity Should Fail (
without the necropolis outro)
- Speed of Light
- These Colours Don't Run
- Montsegur
- When the Wild Wind Blows
- The Fallen Angel
- Brave New World
- The Book of Souls (dust off Mayan Eddie)
- Rainmaker
- Passchendaele (preceded by Wilfred Owns'
Anthem for Doomed Youth. Much pyro)
- Fear of the Dark
- Iron Maiden (ideally with some sort of hologram BNW eddie - really bring that cover art to life)
- The Wicker Man
- Blood Brothers
- Hallowed be thy Name
I was a little bit more liberal with my definition, including Hallowed and FOTD in addition to Iron Maiden as the staple tracks. For the era in question I tried to include at least one song off each album (apart from Senjutsu as the most recent*), but I'm not ashamed to say that I gave preferential treatment to BNW, DoD and TBoS. BNW, as the most iconic reunion era album, is most represented with four tracks, mostly the obvious ones (Wicker Man and Blood Brothers should make for a great encore) but I did throw in Fallen Angel as a personal favourite short rocker. Rainmaker is in there as a rare sub-4 minute track to help break up the epics, Montsegur is the quintessential reunion era unicorn track, while Passchendaele is a god-tier epic. I was surprised to find myself leaning toward TBOS for the opening tracks, but IESF and SoL represent a rare slam dunk 1-2 opening duo that is seldom found even in Maiden's discography. Finally, we were left with a track each from AMOLAD and TFF, and only enough runtime for one epic. By power of deduction, TFF got the epic slot with When the Wild Wind Blows, a strong and memorable track off a largely middling album, while that left us with the shorter fare on AMOLAD. In a toss-up between The Longest Day and These Colours Don't Run, I went for the shorter and more anthemic cut. In short, though heavily coloured by by own post-2000 Maiden preferences, I think this would be a rich setlist, but with enough recognisable cuts to not alienate the casuals.
*and worst