Jer
'Til Tomorrow
Not posted to YouTube yet, apparently…just started to listen to this new, "more" Cyclops, there are more differences than the ones in gods of war. even vocals?
Not posted to YouTube yet, apparently…just started to listen to this new, "more" Cyclops, there are more differences than the ones in gods of war. even vocals?
Might depend on the territory that you are in. I can see it in Spotify from the link, but can't listen, as release is listed as 16th of July and it is still 15th where I am.Not posted to YouTube yet, apparently…
Another teaser. I can't find new things on first listen, maybe some layer of vocals? I doubt Bruce would touch his original vocals. New sounds, I guess? Some keys, rhythm guitar. The song has a lot of sounds and with the new mix they're not clear enough, unfortunately. Also, is it just me or the drums sounds better in Gods Of War? It's like on TMP, not upfront in the mix. The original production fits great, I always thought Cyclops would benefit from a heavier sound, but this new one is like not crushingly enough. Idk. The bass is louder, which is cool.just started to listen to this new, "more" Cyclops, there are more differences than the ones in gods of war. even vocals?
It sure looks like Roy got booted off the remix project. I wonder what this means for the Skunkworks remix…?Here's what Philip said about the release (he said he didn't touch Roy's iconic parts):
To be honest Skunkworks sounds allready great. Wouldn't change a single thing there.It sure looks like Roy got booted off the remix project. I wonder what this means for the Skunkworks remix…?
I like the sound of Skunkworks in general, but there’s a very treble-y lean to it that would be interesting to hear evened out. The low end is already very punchy, but the high and mid range aren’t ideal.To be honest Skunkworks sounds allready great. Wouldn't change a single thing there.
I´m not that much of an audiophile to hear those kind of things.I like the sound of Skunkworks in general, but there’s a very treble-y lean to it that would be interesting to hear evened out. The low end is already very punchy, but the high and mid range aren’t ideal.
It's weird how time changes things. I remember an interview I read where Bruce mentioned how he and Roy would've liked to re-record Cyclops with the Molossian guitar (the guitar w/bass strings used on several songs on Chemical Wedding). So...something in that vein is what I was expecting, since Bruce now had the opportunity to go back and tinker with the song. Instead of going heavier with it, it seems he tried to go a bit more "epic" sounding with it, for lack of a better word. More backing vocals, sounds like, a bit beefier sound overall, and the sort of choir swell at the end (along with other bits and bobs throughout). I don't hate it, but would've loved some of the Chemical sound to have been retroactively plugged into this song.The original production fits great, I always thought Cyclops would benefit from a heavier sound, but this new one is like not crushingly enough. Idk. The bass is louder, which is cool.
I was under the impression Roy was done with the Skunkworks remix before things went south between him and Bruce--which was pretty much just giving it the Dolby Atmos treatment, if I recall. His SW bassist, Chris Dale, said he'd listened to it about a year ago now, and said it sounded incredible.It sure looks like Roy got booted off the remix project. I wonder what this means for the Skunkworks remix…?
I thought Roy was well along or done with BTP as well, but it seems like he got the boot there, which also made me wonder about Skunkworks.I was under the impression Roy was done with the Skunkworks remix before things went south between him and Bruce
Yeah. But they will release it, it's done probably with Roy and iirc Bruce said it's the next one to be released. It seemsIt sure looks like Roy got booted off the remix project. I wonder what this means for the Skunkworks remix…?
SW has a perfect sound for the style, but it's curious to hear it heavier. The only album that I don't think needs modern production (although TOS and TCW are also perfect for me) is the debut.To be honest Skunkworks sounds allready great. Wouldn't change a single thing there.
Cyclops would have been really impactful and cool with TCW production. Maybe they would have added more parts and put in more work, but if Bruce isn't collaborating with Roy anymore...It's weird how time changes things. I remember an interview I read where Bruce mentioned how he and Roy would've liked to re-record Cyclops with the Molossian guitar (the guitar w/bass strings used on several songs on Chemical Wedding). So...something in that vein is what I was expecting, since Bruce now had the opportunity to go back and tinker with the song. Instead of going heavier with it, it seems he tried to go a bit more "epic" sounding with it, for lack of a better word. More backing vocals, sounds like, a bit beefier sound overall, and the sort of choir swell at the end (along with other bits and bobs throughout). I don't hate it, but would've loved some of the Chemical sound to have been retroactively plugged into this song.
Brendan Duffey remixed and atmos-ed Skunkworks, as he said on the Working Class Audio podcast. Jack Endino was involved to some degree too.I thought Roy was well along or done with BTP as well, but it seems like he got the boot there, which also made me wonder about Skunkworks.
And here comes the YouTube link:
Who would have known that constantly slagging of your boss in public will get you booted...I thought Roy was well along or done with BTP as well, but it seems like he got the boot there, which also made me wonder about Skunkworks.
Who would have known that constantly slagging of your boss in public will get you booted...![]()
Regarding Z off the remix project, that would be the slagging, based on that he was announced heading the project after being dismissed from the live band.What came first, the chicken or the egg?