Adrian says he brought about twenty different axes into the studio, but ended up using just his main Jackson Strat: "It just comes up trumps every time." His amps are new-model Gaillen-Kruegers that are rack-mounted with his effects, a T.C. Electronic 2290 and a Lexicon delay. He uses 2 x 12-inch Gallien-Krueger stacks dotted around the stage for a monitoring system, the real details of which he's keeping mum about because of what might happen "once people find out I've got me own system... !" And he's even got a way to bring his studio sound to the stage.
"I've got real studio-quality effects for the road this time," he explains, "and with some help from the record's second engineer, Stephane Wissner, I can get the same sound on stage. The Germans are so efficient; he was really on the case in the studio. He wrote down every setting for every effect I used on the record and then sent them to me.