Queensryche & Geoff Tate

”Geoff Tate, best known as the former frontman of Queensrÿche, has announced the upcoming release of Operation: Mindcrime III, the long-awaited third and final chapter in the iconic Operation: Mindcrime saga. The album is scheduled for release in May 2026, with the first single, “Power,” arriving next week.

More than three decades after the groundbreaking 1988 concept album Operation: Mindcrime and its 2006 sequel, Tate returns to the story that became one of progressive metal’s most celebrated narratives. While the earlier albums largely followed Nikki’s journey, Operation: Mindcrime III shifts the focus to the mysterious Dr. X, exploring his motivations, psychology, and the path that led him to the center of the story’s dark political themes.

In 2026, Geoff Tate will embark on the Operation: Mindcrime – The Final Chapter Tour, performing the iconic concept album Operation: Mindcrime in its entirety for the final time, along with selections from Operation: Mindcrime II and the concluding third chapter. This tour offers a rare opportunity to experience one of rock history’s most acclaimed concept albums in a monumental finale.”IMG_2621.jpeg
 
Who was waiting for it?
I. I am (hesitantly) stoked about this, since it's branded Geoff Tate, and not Queensryche like the 2nd album, which was a solo album branded as QR - that album constitutes a poor QR album, but a cool solo album. The snippet posted to Tate's Youtube hints at a really heavy and nice sounding production this time around.
 
Self released with no label, no advance money/budget as a result. Recorded on the road on mobile studio(aka a pro tools/logic studio rig on a macbook). 10+ people perform on it(majority are the kids he uses on tour the last 6-7 years, that are barely able to grasp the intricacies of the QR material, especially the guitarists). I'll wait for the album to be released first but it's been decades that there's any quality control-money invested in anything Tate puts out, so i don't really have any expectations.
 
Self released with no label, no advance money/budget as a result. Recorded on the road on mobile studio(aka a pro tools/logic studio rig on a macbook). 10+ people perform on it(majority are the kids he uses on tour the last 6-7 years, that are barely able to grasp the intricacies of the QR material, especially the guitarists). I'll wait for the album to be released first but it's been decades that there's any quality control-money invested in anything Tate puts out, so i don't really have any expectations.
His current band are good players. The first year or so was a bit rough (I caught their first or second ever show, which James Brown told me was unrehearsed as a band,, and it was rough) but they play his stuff really well nowadays.
 
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His current band are good players. The first year or so was a bit rough (I caught their first or second ever show, which James Brown told me was unrehearsed as a band,, and it was rough) but they play his stuff really well nowadays.
Wish i could say the same. Anytime i happen to check them, they sound on par with other Queensryche tribute bands. Lots of mistakes, play solos and harmonies wrong, not capturing the intricacies of the QR material. They definitely sound better than the train wreck that was Tate's band after his exit from QR(the infamous Monsters of Rock show in 2013) but nowhere near the original lineup(duh), TateRyche years(1999/2012) and of course the current QR lineup.
 
Wish i could say the same. Anytime i happen to check them, they sound on par with other Queensryche tribute bands. Lots of mistakes, play solos and harmonies wrong, not capturing the intricacies of the QR material. They definitely sound better than the train wreck that was Tate's band after his exit from QR(the infamous Monsters of Rock show in 2013) but nowhere near the original lineup(duh), TateRyche years(1999/2012) and of course the current QR lineup.
I get what you're saying, but I do think you are exaggerating the scope of it. First off, if we're talking about making mistakes and not playing solos perfectly, I'd tell you to listen to Kelly Grey during his tenure with QR. Secondly, the original Queensryche never performed their material perfectly live either. Thirdly, while I do like the new "QR", I'd call them a glorified QR tribute band in itself these days, without Geoff Tate or Chris DeGarmo, arguably the core songwriters and frontmen in the old band. Don't get me wrong, I've seen them twice and like their records, but they aren't Queensryche to me, regardless of Wilton and Jackson owning the rights to the name.
 
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I get what you're saying, but I do think you are exaggerating the scope of it. First off, if we're talking about making mistakes and not playing solos perfectly, I'd tell you to listen to Kelly Grey during his tenure with QR. Secondly, the original Queensryche never performed their material perfectly live either. Thirdly, while I do like the new "QR", I'd call them a glorified QR tribute band in itself these days, without Geoff Tate or Chris DeGarmo, arguably the core songwriters and frontmen in the old band. Don't get me wrong, I've seen them twice and like their records, but they aren't Queensryche to me, regardless of Wilton and Jackson owning the rights to the name.
1)I don't think i exaggerating anything. No need to tell me to listen to anything as a bootleg collector and owner of a QR bootleg channel on YT) i'm a die-hard QR fun and very well aware of their performances, even with Kelly in the band. He was definitely not worse than the scottish guitarist in Tate's band when it comes to solos/harmonies. He butchers solos with the same frequency as Gray. The rest -original- members during the 1999/2001 era, performed better than Tate's current band,

Besides the Italian guitarist Tate has that comes closer to play things the proper way the rest of the guitarists aren't really much better than Robertson.

2)No band really performs perfectly live, at least not all the time.

3) If you'd call Queensryche a glorified tribute band then you have to do the same for Tate and his band(especially since they only play QR songs) and since they are less good as musicians than the guy's in QR(that also have the better singer) they're the worse tribute band of the two. Anything else is disingenuous.

4) From EP to Empire Wilton was too a core songwriter(with more credits than DeGarmo on The Warning btw). When they turned softer by the years he stopped writing much or when Tate marginalized him and the rest of the band he stopped having songs on the albums completely. Nowadays he's the creative force writing the majority of the songs with Jackson turning to a profiling songwriter since the self titled album too.
Tate only ever wrote lyrics and vocal melodies for QR, not original music.
No one can take anything away from DeGarmo but also no one can diminish Wilton's role in the band. He'd be equally as important for the core sound of QR even if he didn't wrote a single note. Same appies for the rest of the original lineup.

Current lineup, they're are definitely Queensryche to me.
 
1)I don't think i exaggerating anything. No need to tell me to listen to anything as a bootleg collector and owner of a QR bootleg channel on YT) i'm a die-hard QR fun and very well aware of their performances, even with Kelly in the band. He was definitely not worse than the scottish guitarist in Tate's band when it comes to solos/harmonies. He butchers solos with the same frequency as Gray. The rest -original- members during the 1999/2001 era, performed better than Tate's current band,

Besides the Italian guitarist Tate has that comes closer to play things the proper way the rest of the guitarists aren't really much better than Robertson.

2)No band really performs perfectly live, at least not all the time.

3) If you'd call Queensryche a glorified tribute band then you have to do the same for Tate and his band(especially since they only play QR songs) and since they are less good as musicians than the guy's in QR(that also have the better singer) they're the worse tribute band of the two. Anything else is disingenuous.

4) From EP to Empire Wilton was too a core songwriter(with more credits than DeGarmo on The Warning btw). When they turned softer by the years he stopped writing much or when Tate marginalized him and the rest of the band he stopped having songs on the albums completely. Nowadays he's the creative force writing the majority of the songs with Jackson turning to a profiling songwriter since the self titled album too.
Tate only ever wrote lyrics and vocal melodies for QR, not original music.
No one can take anything away from DeGarmo but also no one can diminish Wilton's role in the band. He'd be equally as important for the core sound of QR even if he didn't wrote a single note. Same appies for the rest of the original lineup.

Current lineup, they're are definitely Queensryche to me.
Yes, obviously the original Queensryche band members played better. That's not the point, but that the distance between competently performed and Queensryche isn't a huge divide (and yeah, Robertson and Gray were about equally messy - later years, post-breakup Kelly Gray was worse. I think Brown plays better than Robertson anyway). I gather I offended you by pointing you towards the Kelly Gray bootlegs, and that wasn't my intention.

Nor have I claimed that Tate's solo band is more Queensryche than the current "QR", though on the other hand, his band doesn't claim to be Queensryche. That's what Whip and Jackson do, however, and I think from where I'm sitting, it doesn't seem right. I think neither capture what once was Queensryche, and I would've preferred them staying with the Rising West moniker, but it's of course a matter of the Queensryche brand being worth a helluva lot more; same as many feel uneasy about the current Judas Priest lacking both KK and Glenn on stage.

Re Tate's songwriting: writing credits are technically divided 50% music, 50% lyrics. From a royalty standpoint, the lyrics to the song is worth as much as the music, and I think that's fair division of the creative side of things - and besides, his vocals were one of QR's main selling points. He was one of the absolute best in the hard rock/metal business. So arguing that one "only" writes lyrics and melodies (to be fair, DeGarmo co-wrote lots of the melodies with Tate, at least pre Promised Land) isn't giving credit where the credit is due - especially since back in the day, Tate wrote terrific lyrics and vocal lines, and contributed the concept of Mindcrime, my favorite ever album, all bands considered.

I also don't agree with anyone being equally important for the core sound without contributing material. Of importance, yes (see Rockenfield's characteristics as a drummer, or Dave Murray's guitar playing while being arguably the least prolific writer out of the three amigo's), but I fail to see how you can be of equal importance. And while Whip certainly was important as a writer, writes and has written kickass songs which the credits to show, to me, the core of QR was the partnership between DeGarmo and Tate, because they stood for the vast majority of the credits until the break up. If the rest of the Maiden band but Steve were to play together, it wouldn't be Maiden, and being without both DeGarmo and Tate is, to me, rather similar to a Maiden without Steve Harris. The rest of the band would put out great music, make great albums, but it would lack the center core.
 
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It's a cool song. I personally wouldn't have gone for soft verses, but the chorus is on fire; I like how the chorus throwbacks to "Speak", but shows Doctor X's malicious intent. The production is nice, and the drum sound is clearly inspired by the original album. I could have done with 2 dB more of the bass guitar, but eh, it's a nice mix.
 
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It's a cool song. I personally wouldn't have gone for soft verses, but the chorus is on fire; I like how so the throwback to "Speak", but shows Doctor X's malicious intent. The production is nice, and the drum sound is clearly inspired by the original album. I could have done with 2 dB more of the bass guitar, but eh, it's a nice mix.
Agree with pretty much everything you’re saying here. Not bad at all.
 
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"Power"
The intro sounds great with a melody that harks back to the original O:M album.
The verses are soft but work very well.
Quite catchy chorus too and great guitar solo´s!
The production is far better than most of the other Geoff solo offerings.
I´d rate this 4 out of 5 stars after first listening.
Certainly better than most of the stuff Queensryche released with Geoff after Promised Land!
 
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